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swannishs-epee.livejournal.com) wrote in
greatpoetry2011-09-04 06:11 pm
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Poem about literature
I remember there being a poem posted on here a long time ago- a slam poem by a woman talking about what it's like to go out with a book worm. I want to use because I'm looking for poems with literature as their main focus. Here's some I have so far. Please share any other poems you know of that are about literature too!
Thanks, guys!
James Richardson - In Shakespeare
In Shakespeare a lover turns into an ass
as you would expect. People confuse
their consciences with ghosts and witches.
Old men throw everything away
because they panic and can't feel their lives.
They pinch themselves, pierce themselves with twigs,
cliffs, lightning, and die—yes, finally—in glad pain.
You marry a woman you've never talked to,
a woman you thought was a boy.
Sixteen years go by as a curtain billows
once, twice. Your children are lost,
they come back, you don't remember how.
A love turns to a statue in a dress, the statue
comes back to life. Oh God, it's all so realistic
I can't stand it. Whereat I weep and sing.
Such a relief, to burst from the theatre
into our cool, imaginary streets
where we know who's who and what's what,
and command with Metrocards our destinations.
Where no one with a story struggling in him
convulses as it eats its way out,
and no one in an antiseptic corridor,
or in deserts or in downtown darkling plains,
staggers through an Act that just will not end,
eyes burning with the burning of the dead.
The Wordsworth Effect"
by Joyce Sutphen
Is when you return to a place
and it's not nearly as amazing
as you once thought it was,
or when you remember how you felt
about something (or someone) but you know
you'll never feel that way again.
It's when you notice someone has turned
down the volume, and you realize
it was you; when you have the
suspicion that you've met the enemy
and you are it, or when you get
your best ideas from your sister's journal.
Is also-to be fair-the thing that enables
you to walk for miles and miles chanting to
yourself in iambic pentameter
and to travel through Europe with
only a clean shirt, a change of
underwear, a notebook and a pen.
And yes: is when you stretch out
on your couch and summon up ten thousand
daffodils, all dancing in the breeze.
A Poet Recalls Fiction
- Norm Sacuta
I have trouble with friends who want to know what happened.
And no, I'm not missing the forest for the trees -
the genus, size and shape,
even when the author cares enough,
will escape me later, become a forgotten shadow
at the edge of the moors.
I am the worst witness of another witness,
read pages and pages without memory
of a character's features.
My rhythmic eyes remember little,
move away from that tape by the door
where I should measure the criminal's height.
What difference does that make?
He robbed me, I might tell the officer.
Isn't that enough?
What's a character? It's every fear of every name
ever introduced to at parties,
crammed into The Tenant of Windfell Hall.
Thank god for Anna Karenina and Jane Eyre.
The title and name the same.
Let me tell you about Jane Eyre:
there's lightning that cleaves a tree directly in two
on the night she decides to marry. That man. The dark one
who talks roughly and has dark eyes so dark his first born
reflects back out of them. That's Jane Eyre.
That's all.
Don't ask me for more. I don't know
once the book is down. But open it again:
I know that point in the forest -
breadcrumbs lead home in all directions. There is no place
lost quite like it. I read pages and pages, enthralled,
then forget my way as the moon sets.
And isn't it glorious to know every word will rush at me,
like that mad woman from the attic,
when I read again tomorrow night.
Thanks, guys!
James Richardson - In Shakespeare
In Shakespeare a lover turns into an ass
as you would expect. People confuse
their consciences with ghosts and witches.
Old men throw everything away
because they panic and can't feel their lives.
They pinch themselves, pierce themselves with twigs,
cliffs, lightning, and die—yes, finally—in glad pain.
You marry a woman you've never talked to,
a woman you thought was a boy.
Sixteen years go by as a curtain billows
once, twice. Your children are lost,
they come back, you don't remember how.
A love turns to a statue in a dress, the statue
comes back to life. Oh God, it's all so realistic
I can't stand it. Whereat I weep and sing.
Such a relief, to burst from the theatre
into our cool, imaginary streets
where we know who's who and what's what,
and command with Metrocards our destinations.
Where no one with a story struggling in him
convulses as it eats its way out,
and no one in an antiseptic corridor,
or in deserts or in downtown darkling plains,
staggers through an Act that just will not end,
eyes burning with the burning of the dead.
The Wordsworth Effect"
by Joyce Sutphen
Is when you return to a place
and it's not nearly as amazing
as you once thought it was,
or when you remember how you felt
about something (or someone) but you know
you'll never feel that way again.
It's when you notice someone has turned
down the volume, and you realize
it was you; when you have the
suspicion that you've met the enemy
and you are it, or when you get
your best ideas from your sister's journal.
Is also-to be fair-the thing that enables
you to walk for miles and miles chanting to
yourself in iambic pentameter
and to travel through Europe with
only a clean shirt, a change of
underwear, a notebook and a pen.
And yes: is when you stretch out
on your couch and summon up ten thousand
daffodils, all dancing in the breeze.
A Poet Recalls Fiction
- Norm Sacuta
I have trouble with friends who want to know what happened.
And no, I'm not missing the forest for the trees -
the genus, size and shape,
even when the author cares enough,
will escape me later, become a forgotten shadow
at the edge of the moors.
I am the worst witness of another witness,
read pages and pages without memory
of a character's features.
My rhythmic eyes remember little,
move away from that tape by the door
where I should measure the criminal's height.
What difference does that make?
He robbed me, I might tell the officer.
Isn't that enough?
What's a character? It's every fear of every name
ever introduced to at parties,
crammed into The Tenant of Windfell Hall.
Thank god for Anna Karenina and Jane Eyre.
The title and name the same.
Let me tell you about Jane Eyre:
there's lightning that cleaves a tree directly in two
on the night she decides to marry. That man. The dark one
who talks roughly and has dark eyes so dark his first born
reflects back out of them. That's Jane Eyre.
That's all.
Don't ask me for more. I don't know
once the book is down. But open it again:
I know that point in the forest -
breadcrumbs lead home in all directions. There is no place
lost quite like it. I read pages and pages, enthralled,
then forget my way as the moon sets.
And isn't it glorious to know every word will rush at me,
like that mad woman from the attic,
when I read again tomorrow night.
no subject
W.H. Auden
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.