[identity profile] viruswshoes.livejournal.com
Every day, I get a e.newsletter from American Public Media's "Writer's Almanac" with Garrison Keillor.
There's "On this Date" in history information, along with a poem.
Some are famous, some are from people I would've never known existed if not for the newsletter.
Below is one of the best examples of the latter I've read so far.

Chocolate

In the end, in the long-term
wing of the assisted living
home, in the small white chamber

looking out on the patio's locked-in
blooms or in the big plain
"day room" with its blaring

TV and hopeful posters,
they fed my mother
ground-up piles of pallid

stuff in bowls clamped onto
a plastic tray and at first
she smiled, delicious, delicious,

as she sucked the oozing
juices, the last pap,
smiling surrounded by fellow

diners drooping and mumbling
in their places until
after a while she tightened

her lips against the food and
instead began unknotting,
unknotting the flowered

gown, unclothing her wasting
nakedness still white and smooth
and then at the very end,

when dreamy and slim
as a teen she welcomed
old friends and relatives who flickered

on the walls, the curtains
of the tiny room, nodding,
hello, sit down, to the shiny

nothing, she'd eat nothing
but chocolate, only chocolate,
so every day I brought an oblong

Lindt or Hershey
and square by square
she took in mouthfuls,

smiling and nodding, square
by square, delicious, dear,
until she finally

swallowed the whole dense bar.

Sandra M. Gilbert, Belongings
[identity profile] thistle-verse.livejournal.com
Landscape: In the Forest



Midnight. The witch's hut
splits like a pomegranate.
Dried flowers pour from seams in the wall.
The floorboards shiver, shred, caress
themselves with splintery claws,
pine needles, in love with their own scent.

And now the forest, where only this evening
the coaches of princes clattered,
is silent—the ladies vanished like light,
the fur, the velvet—and now
the witch in her child clothing
wanders among green branches,

her skin the wax of berries, her feathery hair
innocent as new leaves.





Sandra M. Gilbert, 2003
from The Poets' Grimm, edited by Jeanne Marie Beaumont & Claudia Carlson
Story Line Press
[identity profile] lunar-endeavor.livejournal.com
Then it was that little Gerda walked into the Palace, through the great gates, in a biting wind.... She saw Kay, and knew him at once; she flung her arms round his neck, held him fast, and cried, "Kay, little Kay, have I found you at last?"

But he sat still, rigid and cold.

---Hans Christian Andersen, "The Snow Queen"



You wanted to know "love" in all its habitats, wanted
to catalog the joints, the parts, the motions, wanted
to be a scientist of romance: you said
you had to study everything, go everywhere,
even here, even
this ice palace in the far north.

You said you were ready, you'd be careful.
Smart girl, you wore two cardigans, a turtleneck,
furlined boots, scarves,
a stocking cap with jinglebells.
And over the ice you came, gay as Santa,
singing and bringing gifts.

Ah, but the journey was long, so much longer
than you'd expected, and the air so thin,
the sky so high and black.
What are these cold needles, what are these shafts of ice,
you wondered on the fourteenth day.
What are those tracks that glitter overhead?

The one you came to see was silent,
he wouldn't say "stars" or "snow,"
wouldn't point south, wouldn't teach survival.
And you'd lost your boots, your furs,
now you were barefoot on the ice floes, fingers blue,
tears freezing and fusing your eyelids.

Now you know: this is the place
where water insists on being ice,
where wind insists on breathlessness,
where the will of the cold is so strong
that even the stone's desire for heat
is driven into the eye of night.

What will you do now, little Gerda?
Kay and the Snow Queen are one, they're a single
pillar of ice, a throne of silence---
and they love you
the way the teeth of winter
love the last red shred of November.

July 2025

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