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Denis Johnson

White, White Collars

We work in this building and we are hideous
in the fluorescent light, you know our clothes
woke up this morning and swallowed us like jewels
and ride up and down the elevators, filled with us,
turning and returning like the spray of light that goes
around dance-halls among the dancing fools.
My office smells like a theory, but here one weeps
to see the goodness of the world laid bare
and rising with the government on its lips,
the alphabet congealing in the air
around our heads. But in my belly's flames
someone is dancing, calling me by many names
that are secret and filled with light and rise
and break, and I see my previous lives.

~
Heat

Here in the electric dusk your naked lover
tips the glass high and the ice cubes fall against her teeth.
It's beautiful Susan, her hair sticky with gin,
Our Lady of Wet Glass-Rings on the Album Cover,
streaming with hatred in the heat
as the record falls and the snake-band chords begin
to break like terrible news from the Rolling Stones,
and such a last light--full of spheres and zones.
August, 
            you're just an erotic hallucination,
just so much feverishly produced kazoo music,
are you serious?--this large oven impersonating night,
this exhaustion mutilated to resemble passion,
the bogus moon of tenderness and magic
you hold out to each prisoner like a cup of light?

~

Vespers

The towels rot and disgust me on this damp
peninsula where they invented mist
and drug abuse and taught the light to fade,
where my top-quality and rock-bottom heart
cries because I'll never get to kiss
your famous knees again in a room made
vague by throwing a scarf over a lamp.
Things get pretty radical in the dark:
the sailboats on the inlet sail away;
the provinces of actuality
crawl on the sea; the dusk now tenderly
ministers to the fallen parking lots--
the sunset instantaneous on the fenders,
memory and peace . . . the grip of chaos . . .

~

Passengers

The world will burst like an intestine in the sun,
the dark turn to granite and the granite to a name,
but there will always be somebody riding the bus
through these intersections strewn with broken glass
among speechless women beating their little ones,
always a slow alphabet of rain
speaking of drifting and perishing to the air,
always these definite jails of light in the sky
at the wedding of this clarity and this storm
and a woman's turning--her languid flight of hair
traveling through frame after frame of memory
where the past turns, its face sparking like emery,
to open its grace and incredible harm
over my life, and I will never die.

(from The Throne of the Third Heaven of the Nations Millennium General Assembly: Poems Collected and New, HarperPerennial, 1995; originally from The Incognito Lounge, Random House, 1982)
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