[identity profile] iatrogenicmyth.livejournal.com posting in [community profile] greatpoetry
I'm not sure if this is allowed, but it's a thought-provoking commentary on how the classical style of poetry has disappeared in favor of free-verse poetry: Our Poet Laureate: What's His Name?

And, now, a poem by Sharon Olds that is (shockingly) not in the memories and is exactly the type of poem that the above literary critic hates and that I adore.

The Promise

With the second drink, at the restaurant,
holding hands on the bare table,
we are at it again, renewing our promise
to kill each other. You are drinking gin,
night-blue juniper berry
dissolving in your body, I am drinking Fume,
chewing its fragrant dirt and smoke, we are
taking on earth, we are part soil already,
and wherever we are, we are also in our
bed, fitted, naked, closely
along each other, half passed out
after love, drifting back
and forth across the border of consciousness,
our bodies buoyant, clasped. Your hand
tightens on the table. You're a little afraid
I'll chicken out. What you do not want
is to lie in a hospital bed for a year
after a stroke, without being able
to think or die, you do not want
to be tied to a chair like a prim grandmother,
cursing. The room is dim around us,
ivory globes, pink curtains,
bound at the waist - and outside,
a weightless, luminous, lifted-up
summer twilight. I tell you you do not
know me if you think I will not
kill you. Think how we have floated together
eye to eye, nipple to nipple,
sex to sex, the halves of a creature
drifting up to the lip of matter
and over it - you know me from the bright, blood-
flecked delivery room, if a lion
had you in its jaws I would attack it, if the ropes
binding your soul are your own wrists, I will cut them.
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