(no subject)

[penguinboy.livejournal.com]

Shaving the Graveyard

The graveyard being what he called his face;
even as a young man
he called his face the graveyard -- he talked
like that, funny, odd
things that scared me sometimes

in our early years. I thought maybe he was a little touched
(his Uncle Bob was certifiable)
but it was just his way of talking. U-feeisms,
he told me once, he liked to use u-feeisms,
which was no language

I ever heard of. He never touched a drop, though,
nor ever lifted a hand against me
or the kids, and when it came to loving,
well, he was sweet, but talking strange then
too: Bug Sauce, he'd call me, or Lavender Limbs,

or sometimes Birdbath -- never Honey
or Sugar like other husbands when they talked, talked.
He was funny like that. Anyway,
after breakfast (he always shaved after breakfast,
said his face was "looser" then)

he'd stroke his chin and say:
Time to shave the graveyard,
and he would and then he'd go to work,
the handle of his lunchpail hooked through
with a belt and slung

over his shoulder. Some days I'd watch him
until he reached the corner
of Maple and Cottage
where he turned and walked the two blocks
to the mill.

by Thomas Lux

(no subject)

[silverflurry.livejournal.com]

Thank you watashi

POETRY

And it was at that age...Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no, they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
I felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke free on the open sky.
-Pablo Neruda

From Ovid's "Metamorphoses"

[miadzin.livejournal.com]

"The Story of Coronis, and Birth of Aesculapius"

( It's a bit long )

Touching Each Other's Surfaces

[watashi.livejournal.com]

Skin meeting skin, we want to think
we know each other scientifically;
we want to believe
it is objective knowledge
gives this conviction of intimacy,
makes us say it feels so right.
That mole below your shoulder blade,
the soft hair over my thighs-
we examine our bodies with the precision
known only to lovers or surgeons,
all those whose profession is explication,
who have to believe their own words.
And yet, having memorized each turning,
each place where bone strains or bends,
each hollow, each hair, each failure of form,
we still encounter that stubborn wall,
that barrier which hides an infinite vastness
the most sincere gesture can't find.

Nor does emotion take us further
than the shared heat of bodies
aware of themselves,
the flattery of multiple desires.
We rest in each other's arms unexplained
by these currents of feeling rushing past
like ripples over a pool of water
whose substance never changes,
reflecting each wave, each ribboned crossing,
without being really moved.
We search each other's eyes so long
beyond our own reflections,
finding only the black centers,
the immeasurable interior we'll
never reach with candle,
never plumb with love.

Perhaps it is just this ignorance,
this absence of certainty, lack of clear view,
more than anything, brings us together,
draws us into and through each other
to the unknown inside us all,
that gray space from which
what we know of ourselves
emerges briefly, casts a transient
shadow across the earth
and learns to believe in itself just enough
to believe in some one else.


-Carol Jane Bangs, 1983

Love Spell: Against Endings

[watashi.livejournal.com]

Love Spell: Against Endings

All the endings in my life
rise up against me
like that sea of troubles
Shakespeare mixed
with metaphors;
like Vikings in their boats
singing Wagner,
like witches
burning at
the stake--
I submit
to my fate.

I know beginnings,
their sweetnesses,
and endings,
their bitternesses--
but I do not know
continuance--
I do not know
the sweet demi-boredom
of life as it lingers,
of man and wife
regarding each other
across a table of shared witnesses,
of the hand-in-hand dreams
of those who have slept
a half-century together
in a bed so used and familiar
it is rutted
with love.

I would know that
before this life closes,
a soulmate to share my roses--
I would make a spell
with long grey beard hairs
and powdered rosemary and rue,
with the jacket of a tux
for a tall man
with broad shoulders,
who loves to dance;
with one blue contact lens
for his bluest eyes;
with honey in a jar
for his love of me;
with salt in a dish
for his love of sex and skin;
with crushed rose petals
for our bed;
with tubes of cerulean blue
and vermilion and rose madder
for his artist's eye;
with a dented Land-Rover fender
for his love of travel;
with a poem by Blake
for his love of innocence
revealed by experience;
with soft rain
and a bare head;
with hand-in-hand dreams on Mondays
and the land of fuck
on Sundays;
with mangoes, papayas
and limes,
and a house towering
above the sea.

Muse, I surrender
to thee.
Thy will be done,
not mine.

If this love spell
pleases you,
send me this lover,
this husband,
this dancing partner
for my empty bed
and let him fill me
from now
until I die.
I offer my bones,
my poems,
my luck with roses,
and the secret garden
I have found
walled in my center,
and the sunflower
who raises her head
despite her heavy seeds.

I am ready now, Muse,
to serve you faithfully
even with
a graceful dancing partner--
for I have learned
to stand alone.

Give me your blessing.
Let the next
epithalamion I write
be my own.
And let it last
more than the years
of my life--
and without the least
strain--
two lovers bareheaded
in a summer rain.

-Erica Jong

(no subject)

[penguinboy.livejournal.com]

Less And Less Human, O Savage Spirit

If there must be a god in the house, must be,
Saying things in the rooms and on the stair,

Let him move as the sunlight moves on the floor,
Or moonlight, silently, as Plato's ghost

Or Aristotle's skeleton. Let him hang out
His stars on the wall. He must dwell quietly.

He must be incapable of speaking, closed,
As those are: as light, for all its motion, is;

As color, even the closest to us, is;
As shapes, though they portend us, are.

It is the human that is the alien,
The human that has no cousin in the moon.

It is the human that demands his speech
From beasts or from the incommunicable mass.

If there must be a god in the house, let him be one
That will not hear us when we speak: a coolness,

A vermillioned nothingness, any stick of the mass
Of which we are too distantly a part.

by Wallace Stevens