MICHAEL ONDAATJE
Wells
i
The rope jerked up
so the bucket flies
into your catch
pours over you
its moment
of encasement
standing in sunlight
wanting more,
another poem please
and each time
recognition and caress,
the repeated pleasure
of finite things.
Hypnotized by lyric.
This year’s kisses
like driving a hundred times
from a moving train
into the harbour
like driving a hundred times
from a moving train
into the harbour
ii
The last Sinhala word I lost
was vatura.
The word for water.
Forest water. The water in a kiss. The tears
I gave to my ayah Rosalin on leaving
The first home of my life.
More water for her than any other
that fled my eyes again
this year, remembering her,
a lost almost-mother in those years
of thirsty love.
No photograph of her, no meeting
since the age of eleven,
not even knowledge of her grave.
Who abandoned who, I wonder now.
iii
In the sunless forest
of Ritigala
heat in the stone
heat in the airless black shadows
nine soldiers on leave
strip uniforms off
and dig a well
to give thanks
for surviving this war
A puja in an unnamed grove
the way someone you know
might lean forward
and mark the place
where your soul is
--always, the say,
near to a wound.
In the sunless forest
crouched by a forest well
pulling what was lost
out of the depth.
(from Handwriting: Poems, Alfred A. Knopf, New York, 2000)