Jun. 28th, 2011

[identity profile] cantahar.livejournal.com
Lessons of the War
I. Naming of Parts

To-day we have naming of parts. Yesterday,
We had daily cleaning. And to-morrow morning,
We shall have what to do after firing. But to-day,
To-day we have naming of parts. Japonica
Glistens like coral in all of the neighboring gardens,
And to-day we have naming of parts.

This is the lower sling swivel. And this
Is the upper sling swivel, whose use you will see,
When you are given your slings. And this is the piling swivel,
Which in your case you have not got. The branches
Hold in the gardens their silent, eloquent gestures,
Which in our case we have not got.

This is the safety-catch, which is always released
With an easy flick of the thumb. And please do not let me
See anyone using his finger. You can do it quite easy
If you have any strength in your thumb. The blossoms
Are fragile and motionless, never letting anyone see
Any of them using their finger.

And this you can see is the bolt. The purpose of this
Is to open the breech, as you see. We can slide it
Rapidly backwards and forwards: we call this
Easing the spring. And rapidly backwards and forwards
The early bees are assaulting and fumbling the flowers:
They call it easing the Spring.

They call it easing the Spring: it is perfectly easy
If you have any strength in your thumb: like the bolt,
And the breech, and the cocking-piece, and the point of balance,
Which in our case we have not got; and the almond-blossom
Silent in all of the gardens and the bees going backwards and forwards,
For to-day we have naming of parts.
[identity profile] duathir.livejournal.com
To A Very Wise Man

I

Fires in the dark you build; tall quivering flames
In the huge midnight forest of the unknown.
Your soul is full of cities with dead names,
And blind-faced, earth-bound gods of bronze and stone
Whose priests and kings and lust-begotten lords
Watch the procession of their thundering hosts,
Or guard relentless fanes with flickering swords
And wizardry of ghosts.

II

In a strange house I woke; heard overhead
Hastily-thudding feet and a muffled scream...
(Is death like that?) ... I quaked uncomforted,
Striving to frame to-morrow in a dream
Of woods and sliding pools and cloudless day.
(You know how bees come into a twilight room
From dazzling afternoon, then sail away
Out of the curtained gloom.)

III

You understand my thoughts; though, when you think,
You’re out beyond the boundaries of my brain.
I’m but a bird at dawn that cries ‘chink, chink’—
A garden-bird that warbles in the rain.
And you’re the flying-man, the speck that steers
A careful course far down the verge of day,
Half-way across the world. Above the years
You soar ... Is death so bad? ... I wish you’d say.

by Siegfried Sassoon
[identity profile] elenbarathi.livejournal.com
I Am the Mountainy Singer
Joseph Campbell (Seosamh MacCathmhaoil)



I am the mountainy singer--
The voice of the peasant's dream,
The cry of the wind on the wooded hill,
The leap of the fish in the stream.

Quiet and love I sing--
The carn on the mountain crest,
The cailin in her lover's arms,
The child at its mother's breast.

Beauty and peace I sing--
The fire on the open hearth,
The cailleach spinning at her wheel,
The plough in the broken earth.

Travail and pain I sing--
The bride on the childing bed,
The dark man laboring at his rhymes,
The ewe in the lambing shed.

Sorrow and death I sing--
The canker come on the corn,
The fisher lost in the mountain loch,
The cry at the mouth of morn.

No other life I sing,
For I am sprung of the stock
That broke the hilly land for bread,
And built the nest in the rock!
[identity profile] duathir.livejournal.com

The Forsaken Merman

Come, dear children, let us away;
Down and away below!
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away!
This way, this way!

Call her once before you go--  )

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