Here is one that I found extraordinary, even if its anger is quite specific. I should warn that THIS IS GRAPHICALLY VIOLENT.
Prayer for the Man Who Mugged My Father, 72 by Charles Harper Webb
May there be an afterlife.
May you meet him there, the same age as you. May the meeting take place in a small, locked room.
May the bushes where you hid be there again, leaves tipped with razor- blades and acid. May the rifle butt you bashed him with be in his hands. May the glass in his car window, which you smashed as he sat stopped at a red light, spike the rifle butt, and the concrete on which you’ll fall.
May the needles the doctors used to close his eye, stab your pupils every time you hit the wall and then the floor, which will be often. May my father let you cower for a while, whimpering, "Please don't shoot me. Please." May he laugh, unload your gun, toss it away; Then may he take you with bare hands.
May those hands, which taught his son to throw a curve and drive a nail and hold a frog, feel like cannonballs against your jaw. May his arms, which powered handstands and made their muscles jump to please me, wrap your head and grind your face like stone. May his chest, thick and hairy as a bear's, feel like a bear's snapping your bones. May his feet, which showed me the flutter kick and carried me miles through the woods, feel like axes crushing your one claim to man- hood as he chops you down.
And when you are down, and he's done with you, which will be soon, since, even one-eyed, with brain damage, he's a merciful man, May the door to the room open and let him stride away to the Valhalla he deserves. May you—bleeding, broken—drag yourself upright.
May you think the worst is over; You've survived, and may still win.
Hi -- please edit your entry to include a poem (rule #4 (http://greatpoets.livejournal.com/profile)). Thanks.
Here's one for you:
Dream Song 384 John Berryman
The marker slants, flowerless, day’s almost done, I stand above my father’s grave with rage, often, often before I’ve made this awful pilgrimage to one who cannot visit me, who tore his page out: I come back for more.
I spit upon this dreadful banker’s grave who shot his heart out in a Florida dawn O ho alas alas When will indifference come, I moan & rave I’d like to scrabble till I got right down away down under the grass
and ax the casket open ha to see just how he’s taking it, which he sought so hard we’ll tear apart the mouldering grave clothes ha & then Henry will heft the ax once more, his final card, and fell it on the start.
Fury Yevgeny Yevtushenko Translated by Tina Tupikina-Glaessner, Geoffrey Dutton, and Igor Mezhakoff-Koriakin
They tell me, shaking their heads: “You should be kinder… You are somehow—furious.” I used to be kind. It didn’t last long. Life was breaking me hitting me in the teeth. I lived like a silly puppy. They would hit me— and again I would turn the other cheek. I’d wag my tail of complacency, and then, to make me furious, someone chopped it off with a single blow. And now I will tell you about fury, about that fury with which you go to a party and make polite conversation while dropping sugar into your tea with tongs. And when you offer me more tea I’m not bored— I merely study you. I submissively drink my tea from the saucer, and, hiding my claws, stretch out my hand. And I’ll tell you something else about fury. When before the meeting they whisper: “Give it up… You’re young, better you write, don’t jump into a fight for a while…” Like hell I’ll give in! To be furious at falsehood— is real goodness! I’m warning you— that fury hasn’t left me yet. And you ought to know— I’ll stay infuriated for a long time. There’s none of my former shyness left in me. After all— life is interesting when you’re furious!
Sweet beast, I have gone prowling, a proud rejected man who lived along the edges catch as catch can; in darkness and in hedges I sang my sour tone and all my love was howling conspicuously alone.
I curled and slept all day or nursed my bloodless wounds until the squares were silent where I could make my tunes singular and violent. Then, sure as hearers came I crept and flinched away. And, girl, you’ve done the same.
A stray from my own type, led along by blindness, my love was near to spoiled and curdled all my kindness. I find no kin, no child; only the weasel’s ilk. Sweet beast, cat of my own stripe, come and take my milk.
*
The Men’s Room in the College Chapel W. D. Snodgrass
Here, in the most Unchristian basement of this “fortress for the Christian mind,” they close these four gray walls, shut out shame, and scribble of sex and excrement, draw bestial pictures and sign their names— the old, lewd defiance of mankind.
The subversive human in his cell— burn his vile books, stamp out his credo, lock him away where no light falls, and no live word can go back to tell where he’s entombed like Monte Cristo— yet, he’ll carve his platform in the walls.
In need, men have painted the deep caves to summon their animal, dark gods: even the reviled, early Christians prayed in catacombs to outlawed Good, laid their honored dead and carved out graves with pious mottos of resistance.
This is the last cave, where the soul turns in its corner like a beast nursing its wounds, where it contemplates vengeance, how it shall gather to full strength, what lost cause shall it vindicate, returning, masterless and twisted.
You ask what I think of your new acquisition; and since we are now to be 'friends', I'll strive to the full to cement my position with honesty. Dear - it depends.
It depends upon taste, which must not be disputed; for which of us does understand why some like their furnishings pallid and muted, their cookery wholesome, but bland?
There isn't a law that a face should have features, it's just that they generally do; God couldn't give colour to all of his creatures, and only gave wit to a few;
I'm sure she has qualities, much underrated, that compensate amply for this, along with a charm that is so understated it's easy for people to miss.
And if there are some who choose clothing to flatter what beauties they think they possess, when what's underneath has no shape, does it matter if there is no shape to the dress?
It's not that I think she is boring, precisely, that isn't the word I would choose; I know there are men who like girls who talk nicely and always wear sensible shoes.
It's not that I think she is vapid and silly; it's not that her voice makes me wince; but - chilli con carne without any chilli is only a plateful of mince...
think of the beds used again and again to fuck in to die in.
in this land some of us fuck more than we die but most of us die better than we fuck, and we die piece by piece too -- in parks eating ice cream, or in igloos of dementia, or on straw mats or upon disembarked loves or or.
:beds beds beds :toilets toilets toilets
the human sewage system is the world's greatest invention.
and you invented me and I invented you and that's why we don;t get along on this bed any longer. you were the world's greatest invention until you flushed me away.
now it's your turn to wait for the touch of the handle. somebody will do it to you, bitch, and if they don't you will mixed with your own green or yellow or white or blue or lavender goodbye.
O for a voice like thunder, and a tongue To drown the throat of war! When the senses Are shaken, and the soul is driven to madness, Who can stand? When the souls of the oppressed Fight in the troubled air that rages, who can stand? When the whirlwind of fury comes from the Throne of God, when the frowns of His countenance Drive the nations together, who can stand? When Sin claps his broad wings over the battle, And sails rejoicing in the flood of death; When souls are torn to everlasting fire, And fiends of hell rejoice upon the slain, O who can stand? O who hath caused this? O who can answer at the throne of God? The Kings and Nobles of the land have done it! Hear it not, Heaven, thy ministers have done it!
by William Blake
The Successful Man Has Thrust Himself
The successful man has thrust himself Through the water of the years, Reeking wet with mistakes — Bloody mistakes; Slimed with victories over the lesser, A figure thankful on the shore of money. Then, with the bones of fools He buys silken banners Limned with his triumphant face; With the skins of wise men He buys the trivial bows of all. Flesh painted with marrow Contributes a coverlet, A coverlet for his contented slumber. In guiltless ignorance, in ignorant guilt, He delivered his secrets to the riven multitude. "Thus I defended: Thus I wrought." Complacent, smiling, He stands heavily on the dead. Erect on a pillar of skulls He declaims his trampling of babes; Smirking, fat, dripping, He makes speech in guiltless ignorance, Innocence.
This is the sin against the Holy Ghost: To speak of bloody power as right divine, And call on God to guard each vile chief’s house, And for such chiefs, turn men to wolves and swine: To go forth killing in White Mercy’s name, Making the trenches stink with spattered brains, Tearing the nerves and arteries apart, Sowing with flesh the unreaped golden plains.
In any church’s name, to sack fair towns, And turn each home into a screaming sty, To make the little children fugitive, And have their mothers for a quick death cry,
This is the sin against the Holy Ghost: This is the sin no purging can atone: To send forth rapine in the name of Christ: To set the face, and make the heart a stone.
by Vachel Lindsay
God! How I Hate You!
God! How I hate you, you young cheerful men, Whose pious poetry blossoms on your graves As soon as you are in them, nurtured up By the salt of your corruption, and the tears Of mothers, local vicars, college deans, And flanked by prefaces and photographs From all you minor poet friends — the fools — Who paint their sentimental elegies Where sure, no angel treads; and, living, share The dead’s brief immortality
Oh Christ! To think that one could spread the ductile wax Of his fluid youth to Oxford’s glowing fires And take her seal so ill! Hark how one chants — “Oh happy to have lived these epic days” — “These epic days”! And he’d been to France, And seen the trenches, glimpsed the huddled dead In the periscope, hung in the rusting wire: Choked by their sickly fœtor, day and night Blown down his throat: stumbled through ruined hearths, Proved all that muddy brown monotony, Where blood’s the only coloured thing. Perhaps Had seen a man killed, a sentry shot at night, Hunched as he fell, his feet on the firing-step, His neck against the back slope of the trench, And the rest doubled up between, his head Smashed like an egg-shell, and the warm grey brain Spattered all bloody on the parados: Had flashed a torch on his face, and known his friend, Shot, breathing hardly, in ten minutes — gone! Yet still God’s in His heaven, all is right In the best possible of worlds. The woe, Even His scaled eyes must see, is partial, only A seeming woe, we cannot understand. God loves us, God looks down on this our strife And smiles in pity, blows a pipe at times And calls some warriors home. We do not die, God would not let us, He is too “intense,” Too “passionate,” a whole day sorrows He Because a grass-blade dies. How rare life is! On earth, the love and fellowship of men, Men sternly banded: banded for what end? Banded to maim and kill their fellow men — For even Huns are men. In heaven above A genial umpire, a good judge of sport, Won’t let us hurt each other! Let’s rejoice God keeps us faithful, pens us still in fold. Ah, what a faith is ours (almost, it seems, Large as a mustard-seed) — we trust and trust, Nothing can shake us! Ah, how good God is To suffer us to be born just now, when youth That else would rust, can slake his blade in gore, Where very God Himself does seem to walk The bloody fields of Flanders He so loves!
by Arthur Graeme West
The Last Word
Creep into thy narrow bed, Creep, and let no more be said! Vain thy onset! all stands fast. Thou thyself must break at last.
Let the long contention cease! Geese are swans, and swans are geese. Let them have it how they will! Thou art tired: best be still.
They out-talked thee, hissed thee, tore thee? Better men fared thus before thee; Fired their ringing shot and passed, Hotly charged - and sank at last.
Charge once more, then, and be dumb! Let the victors, when they come, When the forts of folly fall, Find thy body by the wall!
Let not young souls be smothered out before They do quaint deeds and fully flaunt their pride. It is the world's one crime its babes grow dull, Its poor are ox-like, limp and leaden-eyed. Not that they starve; but starve so dreamlessly, Not that they sow, but that they seldom reap, Not that they serve, but have no gods to serve, Not that they die, but that they die like sheep.
by Vachel Lindsay
The Lie
Go, soul, the body's guest, Upon a thankless arrant: [errand] Fear not to touch the best; The truth shall be thy warrant. Go, since I needs must die, And give the world the lie.
Say to the court, it glows And shines like rotten wood; Say to the church, it shows What's good, and doth no good: If church and court reply, Then give them both the lie.
Tell potentates, they live Acting by others' action, Not loved unless they give, Not strong but by a faction: If potentates reply, Give potentates the lie.
Tell men of high condition That manage the estate, Their purpose is ambition, Their practice only hate: And if they once reply, Then give them all the lie.
Tell them that brave it most, They beg for more by spending, Who, in their greatest cost, Seek nothing but commending: And if they make reply, Then give them all the lie.
Tell zeal it wants devotion; Tell love it is but lust; Tell time it is but motion; Tell flesh it is but dust: And wish them not reply, For thou must give the lie.
Tell age it daily wasteth; Tell honour how it alters; Tell beauty how she blasteth; Tell favour how it falters: And as they shall reply, Give every on the lie.
Tell wit how much it wrangles In tickle points of niceness; Tell wisdom she entangles Herself in over-wiseness: And when they do reply, Straight give them both the lie.
Tell physic of her boldness; Tell skill it is prevention; Tell charity of coldness; Tell law it is contention: And as they do reply, So give them still the lie
Tell fortune of her blindness; Tell nature of decay; Tell friendship of unkindness; Tell justice of delay: And if they will reply, Then give them all the lie.
Tell arts they have no soundness, But vary by esteeming; Tell schools they want profoundness, And stand too much on seeming: If arts and schools reply, Give arts and schools the lie.
Tell faith it's fled the city; Tell how the country erreth; Tell, manhood shakes off pity; Tell, virtue least preferreth: And if they do reply Spare not to give the lie.
So when thou hast, as I Commanded thee, done blabbing, Although to give the lie Deserves no less than stabbing, Stab at thee he that will, No stab the soul can kill.
I heard one who said: "Verily, What word have I for children here? Your Dollar is your only Word, The wrath of it your only fear.
"You build it altars tall enough To make you see but you are blind; You cannot leave it long enough To look before you or behind.
"When Reason beckons you to pause, You laugh and say that you know best; But what it is you know, you keep As dark as ingots in a chest.
"You laugh and answer, 'We are young; Oh, leave us now, and let us grow:' Not asking how much more of this Will Time endure or Fate bestow.
"Because a few complacent years Have made your peril of your pride, Think you that you are to go on Forever pampered and untried?
"What lost eclipse of history, What bivouac of the marching stars, Has given the sign for you to see Milleniums and last great wars?
"What unrecorded overthrow Of all the world has ever known, Or ever been, has made itself So plain to you, and you alone?
"Your Dollar, Dove, and Eagle make A Trinity that even you Rate higher than you rate yourselves; It pays, it flatters, and it's new.
"And though your very flesh and blood Be what the Eagle eats and drinks, You'll praise him for the best of birds, Not knowing what the eagle thinks.
"The power is yours, but not the sight; You see not upon what you tread; You have the ages for your guide, But not the wisdom to be led.
"Think you to tread forever down The merciless old verities? And are you never to have eyes To see the world for what it is?
"Are you to pay for what you have With all you are?"--No other word We caught, but with a laughing crowd Moved on. None heeded, and few heard.
by Edwin Arlington Robinson
Humanity i love you
Humanity i love you because you would rather black the boots of success than enquire whose soul dangles from his watch-chain which would be embarrassing for both
parties and because you unflinchingly applaud all songs containing the words country home and mother when sung at the old howard
Humanity i love you because when you're hard up you pawn your intelligence to buy a drink and when you're flush pride keeps
you from the pawn shops and because you are continually committing nuisances but more especially in your own house
Humanity i love you because you are perpetually putting the secret of life in your pants and forgetting it's there and sitting down
on it and because you are forever making poems in the lap of death Humanity
You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo.
Daddy, I have had to kill you. You died before I had time--- Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal
And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. I used to pray to recover you. Ach, du.
In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend
Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw.
It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene
An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew.
The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew.
I have always been scared of *you*, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You---
Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you.
You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who
Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do.
But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look
And a love of the rack and the screw. And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through.
If I've killed one man, I've killed two--- The vampire who said he was you and drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now.
There's a stake in your fat, black heart And the villagers never liked you. They are dancing and stamping on you. They always *knew* it was you. Daddy, daddy, you bastard, I'm through.
Mowgli's Song Against People "Letting in the Jungle”-- The Second Jungle Book
I will let loose against you the fleet-footed vines-- I will call in the Jungle to stamp out your lines! The roofs shall fade before it, The house-beams shall fall; And the Karela,. the bitter Karela, Shall cover it all!
In the gates of these your councils my people shall sing. In the doors of these your garners the Bat-folk shall cling; And the snake shall be your watchman, By a hearthstone unswept; For the Karela, the bitter Karela, Shall fruit where ye slept!
Ye shall not see my strikers; ye shall hear them and guess. By night, before the moon-rise, I will send for my cess, And the wolf shall be your herdsman By a landmark removed; For the Karela, the bitter Karela, Shall seed where ye loved!
I will reap your fields before you at the hands of a host. Ye shall glean behind my reapers for the bread that is lost; And the deer shall be your oxen On a headland untilled; For the Karela, the bitter Karela, Shall leaf where ye build!
I have untied against you the club-footed vines-- I have sent in the Jungle to swamp out your lines! The trees--the trees are on you! The house-beams shall fall; And the Karela, the bitter Karela, Shall cover you all!
A curse upon each king who leads his state, No matter what his plea, to this foul game, And may it end his wicked dynasty, And may he die in exile and black shame.
If there is vengeance in the Heaven of Heavens, What punishment could Heaven devise for these Who fill the rivers of the world with dead, And turn their murderers loose on all the seas!
Put back the clock of time a thousand years, And make our Europe, once the world's proud Queen, A shrieking strumpet, furious fratricide, Eater of entrails, wallowing obscene
In pits where millions foam and rave and bark, Mad dogs and idiots, thrice drunk with strife; While Science towers above;--a witch, red-winged: Science we looked to for the light of life,
Curse me the men who make and sell iron ships Who walk the floor in thought, that they may find Each powder prompt, each steel with fearful edge, Each deadliest device against mankind.
Curse me the sleek lords with their plumes and spurs, May Heaven give their land to peasant spades, Give them the brand of Cain, for their pride's sake, And felon's stripes for medals and for braids.
Curse me the fiddling, twiddling diplomats, Haggling here, plotting and hatching there, Who make the kind world but their game of cards, Till millions die at turning of a hair.
What punishment will Heaven devise for these Who win by others' sweat and hardihood, Who make men into stinking vultures' meat, Saying to evil still "Be thou my good"?
Ah, he who starts a million souls toward death Should burn in utmost hell a million years! --Mothers of men go on the destined wrack To give them life, with anguish and with tears:--
Are all those childbed sorrows sneered away? Yea, fools laugh at the humble christenings, And cradle-joys are mocked of the fat lords: These mothers' sons made dead men for the Kings!
All in the name of this or that grim flag, No angel-flags in all the rag-array-- Banners the demons love, and all Hell sings And plays wild harps. Those flags march forth to-day!
no subject
Prayer for the Man Who Mugged My Father, 72
by Charles Harper Webb
May there be an afterlife.
May you meet him there, the same age as you.
May the meeting take place in a small, locked room.
May the bushes where you hid be there again, leaves tipped with razor-
blades and acid.
May the rifle butt you bashed him with be in his hands.
May the glass in his car window, which you smashed as he sat stopped
at a red light, spike the rifle butt, and the concrete on which you’ll
fall.
May the needles the doctors used to close his eye, stab your pupils
every time you hit the wall and then the floor, which will be often.
May my father let you cower for a while, whimpering, "Please don't
shoot me. Please."
May he laugh, unload your gun, toss it away;
Then may he take you with bare hands.
May those hands, which taught his son to throw a curve and drive a nail
and hold a frog, feel like cannonballs against your jaw.
May his arms, which powered handstands and made their muscles jump
to please me, wrap your head and grind your face like stone.
May his chest, thick and hairy as a bear's, feel like a bear's snapping
your bones.
May his feet, which showed me the flutter kick and carried me miles
through the woods, feel like axes crushing your one claim to man-
hood as he chops you down.
And when you are down, and he's done with you, which will be soon,
since, even one-eyed, with brain damage, he's a merciful man,
May the door to the room open and let him stride away to the Valhalla
he deserves.
May you—bleeding, broken—drag yourself upright.
May you think the worst is over;
You've survived, and may still win.
Then may the door open once more, and let me in.
no subject
no subject
Here's one for you:
Dream Song 384
John Berryman
The marker slants, flowerless, day’s almost done,
I stand above my father’s grave with rage,
often, often before
I’ve made this awful pilgrimage to one
who cannot visit me, who tore his page
out: I come back for more.
I spit upon this dreadful banker’s grave
who shot his heart out in a Florida dawn
O ho alas alas
When will indifference come, I moan & rave
I’d like to scrabble till I got right down
away down under the grass
and ax the casket open ha to see
just how he’s taking it, which he sought so hard
we’ll tear apart
the mouldering grave clothes ha & then Henry
will heft the ax once more, his final card,
and fell it on the start.
no subject
Yevgeny Yevtushenko
Translated by Tina Tupikina-Glaessner, Geoffrey Dutton, and Igor Mezhakoff-Koriakin
They tell me,
shaking their heads:
“You should be kinder…
You are somehow—furious.”
I used to be kind.
It didn’t last long.
Life was breaking me
hitting me in the teeth.
I lived
like a silly puppy.
They would hit me—
and again I would turn the other cheek.
I’d wag my tail of complacency,
and then, to make me furious,
someone chopped it off with a single blow.
And now I will tell you
about fury,
about that fury
with which you go to a party
and make polite conversation
while dropping sugar into your tea with tongs.
And when you offer me more tea
I’m not bored—
I merely study you.
I submissively drink my tea from the saucer,
and, hiding my claws,
stretch out my hand.
And I’ll tell you something else about fury.
When before the meeting they whisper:
“Give it up…
You’re young,
better you write,
don’t jump into a fight
for a while…”
Like hell
I’ll give in!
To be furious at falsehood—
is real goodness!
I’m warning you—
that fury hasn’t left me yet.
And you ought to know—
I’ll stay infuriated for a long time.
There’s none of my former shyness left in me.
After all—
life is interesting
when you’re furious!
no subject
no subject
and some Snodgrass
W. D. Snodgrass
Sweet beast, I have gone prowling,
a proud rejected man
who lived along the edges
catch as catch can;
in darkness and in hedges
I sang my sour tone
and all my love was howling
conspicuously alone.
I curled and slept all day
or nursed my bloodless wounds
until the squares were silent
where I could make my tunes
singular and violent.
Then, sure as hearers came
I crept and flinched away.
And, girl, you’ve done the same.
A stray from my own type,
led along by blindness,
my love was near to spoiled
and curdled all my kindness.
I find no kin, no child;
only the weasel’s ilk.
Sweet beast, cat of my own stripe,
come and take my milk.
*
The Men’s Room in the College Chapel
W. D. Snodgrass
Here, in the most Unchristian basement
of this “fortress for the Christian mind,”
they close these four gray walls, shut out shame,
and scribble of sex and excrement,
draw bestial pictures and sign their names—
the old, lewd defiance of mankind.
The subversive human in his cell—
burn his vile books, stamp out his credo,
lock him away where no light falls,
and no live word can go back to tell
where he’s entombed like Monte Cristo—
yet, he’ll carve his platform in the walls.
In need, men have painted the deep caves
to summon their animal, dark gods:
even the reviled, early Christians
prayed in catacombs to outlawed Good,
laid their honored dead and carved out graves
with pious mottos of resistance.
This is the last cave, where the soul
turns in its corner like a beast
nursing its wounds, where it contemplates
vengeance, how it shall gather to full
strength, what lost cause shall it vindicate,
returning, masterless and twisted.
no subject
by Eleanor Brown
You ask what I think of your new acquisition;
and since we are now to be 'friends',
I'll strive to the full to cement my position
with honesty. Dear - it depends.
It depends upon taste, which must not be disputed;
for which of us does understand
why some like their furnishings pallid and muted,
their cookery wholesome, but bland?
There isn't a law that a face should have features,
it's just that they generally do;
God couldn't give colour to all of his creatures,
and only gave wit to a few;
I'm sure she has qualities, much underrated,
that compensate amply for this,
along with a charm that is so understated
it's easy for people to miss.
And if there are some who choose clothing to flatter
what beauties they think they possess,
when what's underneath has no shape, does it matter
if there is no shape to the dress?
It's not that I think she is boring, precisely,
that isn't the word I would choose;
I know there are men who like girls who talk nicely
and always wear sensible shoes.
It's not that I think she is vapid and silly;
it's not that her voice makes me wince;
but - chilli con carne without any chilli
is only a plateful of mince...
my favorite rage poem
think of the beds
used again and again
to fuck in
to die in.
in this land
some of us fuck more than
we die
but most of us die
better than we
fuck,
and we die
piece by piece too --
in parks
eating ice cream, or
in igloos
of dementia,
or on straw mats
or upon disembarked
loves
or
or.
:beds beds beds
:toilets toilets toilets
the human sewage system
is the world's greatest
invention.
and you invented me
and I invented you
and that's why we don;t
get along
on this bed
any longer.
you were the world's
greatest invention
until you
flushed me
away.
now it's your turn
to wait for the touch
of the handle.
somebody will do it
to you,
bitch,
and if they don't
you will
mixed with your own
green or yellow or white
or blue
or lavender
goodbye.
http://greatpoets.livejournal.com/2264307.html
no subject
Intended For A Dramatic Piece For King Edward IV
O for a voice like thunder, and a tongue
To drown the throat of war! When the senses
Are shaken, and the soul is driven to madness,
Who can stand? When the souls of the oppressed
Fight in the troubled air that rages, who can stand?
When the whirlwind of fury comes from the
Throne of God, when the frowns of His countenance
Drive the nations together, who can stand?
When Sin claps his broad wings over the battle,
And sails rejoicing in the flood of death;
When souls are torn to everlasting fire,
And fiends of hell rejoice upon the slain,
O who can stand? O who hath caused this?
O who can answer at the throne of God?
The Kings and Nobles of the land have done it!
Hear it not, Heaven, thy ministers have done it!
by William Blake
The Successful Man Has Thrust Himself
The successful man has thrust himself
Through the water of the years,
Reeking wet with mistakes —
Bloody mistakes;
Slimed with victories over the lesser,
A figure thankful on the shore of money.
Then, with the bones of fools
He buys silken banners
Limned with his triumphant face;
With the skins of wise men
He buys the trivial bows of all.
Flesh painted with marrow
Contributes a coverlet,
A coverlet for his contented slumber.
In guiltless ignorance, in ignorant guilt,
He delivered his secrets to the riven multitude.
"Thus I defended: Thus I wrought."
Complacent, smiling,
He stands heavily on the dead.
Erect on a pillar of skulls
He declaims his trampling of babes;
Smirking, fat, dripping,
He makes speech in guiltless ignorance,
Innocence.
by Stephen Maria Crane
no subject
This is the sin against the Holy Ghost:
To speak of bloody power as right divine,
And call on God to guard each vile chief’s house,
And for such chiefs, turn men to wolves and swine:
To go forth killing in White Mercy’s name,
Making the trenches stink with spattered brains,
Tearing the nerves and arteries apart,
Sowing with flesh the unreaped golden plains.
In any church’s name, to sack fair towns,
And turn each home into a screaming sty,
To make the little children fugitive,
And have their mothers for a quick death cry,
This is the sin against the Holy Ghost:
This is the sin no purging can atone:
To send forth rapine in the name of Christ:
To set the face, and make the heart a stone.
by Vachel Lindsay
God! How I Hate You!
God! How I hate you, you young cheerful men,
Whose pious poetry blossoms on your graves
As soon as you are in them, nurtured up
By the salt of your corruption, and the tears
Of mothers, local vicars, college deans,
And flanked by prefaces and photographs
From all you minor poet friends — the fools —
Who paint their sentimental elegies
Where sure, no angel treads; and, living, share
The dead’s brief immortality
Oh Christ!
To think that one could spread the ductile wax
Of his fluid youth to Oxford’s glowing fires
And take her seal so ill! Hark how one chants —
“Oh happy to have lived these epic days” —
“These epic days”! And he’d been to France,
And seen the trenches, glimpsed the huddled dead
In the periscope, hung in the rusting wire:
Choked by their sickly fœtor, day and night
Blown down his throat: stumbled through ruined hearths,
Proved all that muddy brown monotony,
Where blood’s the only coloured thing. Perhaps
Had seen a man killed, a sentry shot at night,
Hunched as he fell, his feet on the firing-step,
His neck against the back slope of the trench,
And the rest doubled up between, his head
Smashed like an egg-shell, and the warm grey brain
Spattered all bloody on the parados:
Had flashed a torch on his face, and known his friend,
Shot, breathing hardly, in ten minutes — gone!
Yet still God’s in His heaven, all is right
In the best possible of worlds. The woe,
Even His scaled eyes must see, is partial, only
A seeming woe, we cannot understand.
God loves us, God looks down on this our strife
And smiles in pity, blows a pipe at times
And calls some warriors home. We do not die,
God would not let us, He is too “intense,”
Too “passionate,” a whole day sorrows He
Because a grass-blade dies. How rare life is!
On earth, the love and fellowship of men,
Men sternly banded: banded for what end?
Banded to maim and kill their fellow men —
For even Huns are men. In heaven above
A genial umpire, a good judge of sport,
Won’t let us hurt each other! Let’s rejoice
God keeps us faithful, pens us still in fold.
Ah, what a faith is ours (almost, it seems,
Large as a mustard-seed) — we trust and trust,
Nothing can shake us! Ah, how good God is
To suffer us to be born just now, when youth
That else would rust, can slake his blade in gore,
Where very God Himself does seem to walk
The bloody fields of Flanders He so loves!
by Arthur Graeme West
The Last Word
Creep into thy narrow bed,
Creep, and let no more be said!
Vain thy onset! all stands fast.
Thou thyself must break at last.
Let the long contention cease!
Geese are swans, and swans are geese.
Let them have it how they will!
Thou art tired: best be still.
They out-talked thee, hissed thee, tore thee?
Better men fared thus before thee;
Fired their ringing shot and passed,
Hotly charged - and sank at last.
Charge once more, then, and be dumb!
Let the victors, when they come,
When the forts of folly fall,
Find thy body by the wall!
by Matthew Arnold
no subject
The Leaden-Eyed
Let not young souls be smothered out before
They do quaint deeds and fully flaunt their pride.
It is the world's one crime its babes grow dull,
Its poor are ox-like, limp and leaden-eyed.
Not that they starve; but starve so dreamlessly,
Not that they sow, but that they seldom reap,
Not that they serve, but have no gods to serve,
Not that they die, but that they die like sheep.
by Vachel Lindsay
The Lie
Go, soul, the body's guest,
Upon a thankless arrant: [errand]
Fear not to touch the best;
The truth shall be thy warrant.
Go, since I needs must die,
And give the world the lie.
Say to the court, it glows
And shines like rotten wood;
Say to the church, it shows
What's good, and doth no good:
If church and court reply,
Then give them both the lie.
Tell potentates, they live
Acting by others' action,
Not loved unless they give,
Not strong but by a faction:
If potentates reply,
Give potentates the lie.
Tell men of high condition
That manage the estate,
Their purpose is ambition,
Their practice only hate:
And if they once reply,
Then give them all the lie.
Tell them that brave it most,
They beg for more by spending,
Who, in their greatest cost,
Seek nothing but commending:
And if they make reply,
Then give them all the lie.
Tell zeal it wants devotion;
Tell love it is but lust;
Tell time it is but motion;
Tell flesh it is but dust:
And wish them not reply,
For thou must give the lie.
Tell age it daily wasteth;
Tell honour how it alters;
Tell beauty how she blasteth;
Tell favour how it falters:
And as they shall reply,
Give every on the lie.
Tell wit how much it wrangles
In tickle points of niceness;
Tell wisdom she entangles
Herself in over-wiseness:
And when they do reply,
Straight give them both the lie.
Tell physic of her boldness;
Tell skill it is prevention;
Tell charity of coldness;
Tell law it is contention:
And as they do reply,
So give them still the lie
Tell fortune of her blindness;
Tell nature of decay;
Tell friendship of unkindness;
Tell justice of delay:
And if they will reply,
Then give them all the lie.
Tell arts they have no soundness,
But vary by esteeming;
Tell schools they want profoundness,
And stand too much on seeming:
If arts and schools reply,
Give arts and schools the lie.
Tell faith it's fled the city;
Tell how the country erreth;
Tell, manhood shakes off pity;
Tell, virtue least preferreth:
And if they do reply
Spare not to give the lie.
So when thou hast, as I
Commanded thee, done blabbing,
Although to give the lie
Deserves no less than stabbing,
Stab at thee he that will,
No stab the soul can kill.
by Sir Walter Raleigh
no subject
I heard one who said: "Verily,
What word have I for children here?
Your Dollar is your only Word,
The wrath of it your only fear.
"You build it altars tall enough
To make you see but you are blind;
You cannot leave it long enough
To look before you or behind.
"When Reason beckons you to pause,
You laugh and say that you know best;
But what it is you know, you keep
As dark as ingots in a chest.
"You laugh and answer, 'We are young;
Oh, leave us now, and let us grow:'
Not asking how much more of this
Will Time endure or Fate bestow.
"Because a few complacent years
Have made your peril of your pride,
Think you that you are to go on
Forever pampered and untried?
"What lost eclipse of history,
What bivouac of the marching stars,
Has given the sign for you to see
Milleniums and last great wars?
"What unrecorded overthrow
Of all the world has ever known,
Or ever been, has made itself
So plain to you, and you alone?
"Your Dollar, Dove, and Eagle make
A Trinity that even you
Rate higher than you rate yourselves;
It pays, it flatters, and it's new.
"And though your very flesh and blood
Be what the Eagle eats and drinks,
You'll praise him for the best of birds,
Not knowing what the eagle thinks.
"The power is yours, but not the sight;
You see not upon what you tread;
You have the ages for your guide,
But not the wisdom to be led.
"Think you to tread forever down
The merciless old verities?
And are you never to have eyes
To see the world for what it is?
"Are you to pay for what you have
With all you are?"--No other word
We caught, but with a laughing crowd
Moved on. None heeded, and few heard.
by Edwin Arlington Robinson
Humanity i love you
Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both
parties and because you
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard
Humanity i love you because
when you're hard up you pawn your
intelligence to buy a drink and when
you're flush pride keeps
you from the pawn shops and
because you are continually committing
nuisances but more
especially in your own house
Humanity i love you because you
are perpetually putting the secret of
life in your pants and forgetting
it's there and sitting down
on it
and because you are
forever making poems in the lap
of death Humanity
i hate you
by e.e. cummings
An oldie but a goodie...
--William Blake
I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe;
I told it not, my wrath did grow.
And I water'd it in fears,
Night & morning with my tears;
And I sunned it with my smiles
And with soft deceitful wiles.
And it grew both day and night,
Till it bore an apple bright;
And my foe beheld it shine,
And he knew that it was mine,
And into my garden stole
When the night had veil'd the pole:
In the morning glad I see
My foe outstretch'd beneath the tree
Lot of anger in this one too...
Daddy
--Sylvia Plath
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.
Daddy, I have had to kill you.
You died before I had time---
Marble-heavy, a bag full of God,
Ghastly statue with one grey toe
Big as a Frisco seal
And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off beautiful Nauset.
I used to pray to recover you.
Ach, du.
In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend
Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.
It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene
An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.
The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gypsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.
I have always been scared of *you*,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You---
Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.
You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who
Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.
But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look
And a love of the rack and the screw.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through.
If I've killed one man, I've killed two---
The vampire who said he was you
and drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.
There's a stake in your fat, black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always *knew* it was you.
Daddy, daddy, you bastard, I'm through.
no subject
"Letting in the Jungle”-- The Second Jungle Book
I will let loose against you the fleet-footed vines--
I will call in the Jungle to stamp out your lines!
The roofs shall fade before it,
The house-beams shall fall;
And the Karela,. the bitter Karela,
Shall cover it all!
In the gates of these your councils my people shall sing.
In the doors of these your garners the Bat-folk shall cling;
And the snake shall be your watchman,
By a hearthstone unswept;
For the Karela, the bitter Karela,
Shall fruit where ye slept!
Ye shall not see my strikers; ye shall hear them and guess.
By night, before the moon-rise, I will send for my cess,
And the wolf shall be your herdsman
By a landmark removed;
For the Karela, the bitter Karela,
Shall seed where ye loved!
I will reap your fields before you at the hands of a host.
Ye shall glean behind my reapers for the bread that is lost;
And the deer shall be your oxen
On a headland untilled;
For the Karela, the bitter Karela,
Shall leaf where ye build!
I have untied against you the club-footed vines--
I have sent in the Jungle to swamp out your lines!
The trees--the trees are on you!
The house-beams shall fall;
And the Karela, the bitter Karela,
Shall cover you all!
~by Rudyard Kipling
Mod note.
no subject
A Curse for Kings
A curse upon each king who leads his state,
No matter what his plea, to this foul game,
And may it end his wicked dynasty,
And may he die in exile and black shame.
If there is vengeance in the Heaven of Heavens,
What punishment could Heaven devise for these
Who fill the rivers of the world with dead,
And turn their murderers loose on all the seas!
Put back the clock of time a thousand years,
And make our Europe, once the world's proud Queen,
A shrieking strumpet, furious fratricide,
Eater of entrails, wallowing obscene
In pits where millions foam and rave and bark,
Mad dogs and idiots, thrice drunk with strife;
While Science towers above;--a witch, red-winged:
Science we looked to for the light of life,
Curse me the men who make and sell iron ships
Who walk the floor in thought, that they may find
Each powder prompt, each steel with fearful edge,
Each deadliest device against mankind.
Curse me the sleek lords with their plumes and spurs,
May Heaven give their land to peasant spades,
Give them the brand of Cain, for their pride's sake,
And felon's stripes for medals and for braids.
Curse me the fiddling, twiddling diplomats,
Haggling here, plotting and hatching there,
Who make the kind world but their game of cards,
Till millions die at turning of a hair.
What punishment will Heaven devise for these
Who win by others' sweat and hardihood,
Who make men into stinking vultures' meat,
Saying to evil still "Be thou my good"?
Ah, he who starts a million souls toward death
Should burn in utmost hell a million years!
--Mothers of men go on the destined wrack
To give them life, with anguish and with tears:--
Are all those childbed sorrows sneered away?
Yea, fools laugh at the humble christenings,
And cradle-joys are mocked of the fat lords:
These mothers' sons made dead men for the Kings!
All in the name of this or that grim flag,
No angel-flags in all the rag-array--
Banners the demons love, and all Hell sings
And plays wild harps. Those flags march forth to-day!
by Vachel Lindsay