[identity profile] imaginary-lines.livejournal.com

You want to go back

to where the sky was inside us

 

animals ran through us, our hands

blessed and killed according to our

wisdom, death

made real blood come out

 

But face it, we have been

improved, our heads float 

several inches above our necks

moored to us by 

rubber tubes and filled with

clever bubbles,

 

our bodies

are populated with billions

of soft pink numbers

multiplying and analyzing

themselves, perfecting

their own demands, no trouble to anyone.

 

I love you by

sections and when you work. 

 

Do you want to be illiterate? 

This is the way it is, get used to it. 

 
[identity profile] shockfactor.livejournal.com
I could really use some help.  Earlier today I blew up at my boyfriend and said some incredibly hurtful stuff.  I need to apologize in a big way, and find a way to tell him just how much I love him.  Does anyone know of poems about being sorry, not meaning to hurt someone, or even just being completely in love?  I've been looking through Atwood and Plath but haven't found one yet, and I can't find my Sharon Olds book...

I want to write the poem out by hand and leave it on the table with some cookies (which I'm making now) for him to find when he gets home from work.  I'd really appreciate it if anyone can help me out!


In exchange, I'll post an Atwood poem I absolutely adore:


Morning in the Burned House
In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.

The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.

Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,

their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,

every detail clear,
tin cup and rippled mirror.
The day is bright and songless,

the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.

I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.

I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything

in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,

including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,

bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts

and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.
[identity profile] two-grey-rooms.livejournal.com
"Marsh Languages"
by Margaret Atwood

The dark soft languages are being silenced:
Mothertongue Mothertongue Mothertongue
falling one by one back into the moon.

Language of marshes,
language of the roots of rushes tangled
together in the ooze,
marrow cells twinning themselves
inside the warm core of the bone:
pathways of hidden light in the body fade and wink out.

The sibilants and gutturals,
the cave language, the half-light
forming at the back of the throat,
the mouth's damp velvet moulding
the lost syllable for "I" that did not mean separate,
all are becoming sounds no longer
heard because no longer spoken,
and everyone that could once be said in them has
ceased to exist.

The languages of the dying suns
are themselves dying,
but even the word for this has been forgotten.
The mouth against skin, vivid and fading,
can no longer speak both cherishing and farewell.
It is now only a mouth, only skin.
There is no more longing.

Translation was never possible.
Instead there was always only
conquest, the influx
of the language of hard nouns,
the language of metal,
the language of either/or,
the one language that has eaten all the others.

the slightly off-kilter request )
[identity profile] two-grey-rooms.livejournal.com
"The Loneliness of the Military Historian"
by Margaret Atwood

Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.

In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or, having been raped repeatedly,
hang themselves with their own hair.
These are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons, lovers, and so forth.
All the killed children.

Read more... )
[identity profile] clocktowerkiss.livejournal.com
Hey there. When I am feeling blue I go into bookstores and look for guidance in the poetry section. Tonight was one of those nights. I didn't like most of the book enough to buy it, as I'm only an occasional Bukowski fan, but in Charles Bukowski's The People Look Like Flowers at Last, I found a poem that really spoke to me. Unfortunately, I can't seem to find it anywhere else!

I just remember the last few lines, as those were the guidance that I was looking for.

"back off.
if there is light,
it will find you."

Anyone know the rest of the poem?

I've also been feeling Margaret Atwood's "You Fit Into Me" lately, which I think everyone knows, but in case you've never seen it before:

You fit into me like a hook into an eye.
A fish hook.
An open eye.
[identity profile] melodily.livejournal.com
We sit at a clean table
eating thoughts from clean plates

and see, there is my heart
germfree, and transparent as glass

and there is my brain, pure
as cold water in the china
bowl of my skull

[identity profile] melodily.livejournal.com

On the streets

love

these days

is a matter for

either scavengers

(turning death to life) or

(turning life

to death) for predators


(The billboard lady

with her white enamel

teeth and red

enamel claws, is after

[identity profile] http://users.livejournal.com/molasses__/
Just a quick request, what is everyones favorite short poem?
I love an epic as much as anyone else but sometimes the short, sweet & concise poems get overlooked.

Here is one of my favorites:



You Fit Into Me by Margaret Atwood

You fit into me
like a hook into an eye

a fish hook
an open eye
[identity profile] birdcages.livejournal.com
February

Winter. Time to eat fat
and watch hockey. In the pewter mornings, the cat,
a black fur sausage with yellow
Houdini eyes, jumps up on the bed and tries
to get onto my head. It’s his
way of telling whether or not I’m dead.
If I’m not, he wants to be scratched; if I am
He’ll think of something. He settles
on my chest, breathing his breath
of burped-up meat and musty sofas,
purring like a washboard. Some other tomcat,
not yet a capon, has been spraying our front door,
declaring war. It’s all about sex and territory,
which are what will finish us off
in the long run. Some cat owners around here
should snip a few testicles. If we wise
hominids were sensible, we’d do that too,
or eat our young, like sharks.
But it’s love that does us in. Over and over
again, He shoots, he scores! and famine
crouches in the bedsheets, ambushing the pulsing
eiderdown, and the windchill factor hits
thirty below, and pollution pours
out of our chimneys to keep us warm.
February, month of despair,
with a skewered heart in the centre.
I think dire thoughts, and lust for French fries
with a splash of vinegar.
Cat, enough of your greedy whining
and your small pink bumhole.
Off my face! You’re the life principle,
more or less, so get going
on a little optimism around here.
Get rid of death. Celebrate increase. Make it be spring.
[identity profile] stitchesandlace.livejournal.com

I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head

and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear

I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center. I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and you enter
it as easily as breathing in

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.



variation on the word sleep
by Margaret Atwood

Spelling

Oct. 23rd, 2007 01:15 pm
[identity profile] magentah.livejournal.com
My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.

*

I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.

*

A child is not a poem,
a poem is not a child.
There is no either / or.
However.

*

I return to the story
of the woman caught in the war
& in labour, her thighs tied
together by the enemy
so she could not give birth.

Ancestress: the burning witch,
her mouth covered by leather
to strangle words.

A word after a word
after a word is power.

*

At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.

This is a metaphor.

*

How do you learn to spell?
Blood, sky & the sun,
your own name first,
your first naming, your first name,
your first word.



Margaret Atwood
[identity profile] iatrogenicmyth.livejournal.com
[Yes, I just posted a different Atwood poem five minutes ago. I couldn't decide between the two, so I'm posting both.]

More and More

More and more frequently the edges
of me dissolve and I become
a wish to assimilate the world, including
you, if possible through the skin
like a cool plant's tricks with oxygen
and live by a harmless green burning.

I would not consume
you or ever
finish, you would still be there
surrounding me, complete
as the air.

Unfortunately I don't have leaves.
Instead I have eyes
and teeth and other non-green
things which rule out osmosis.

So be careful, I mean it,
I give you fair warning:

This kind of hunger draws
everything into its own
space; nor can we
talk it all over, have a calm
rational discussion.

There is no reason for this, only
a starved dog's logic about bones.
[identity profile] iatrogenicmyth.livejournal.com
i

We are hard on each other
and call it honesty,
choosing our jagged truths
with care and aiming them across
the neutral table.

The things we say are
true; it is our crooked
aims, our choices
turn them criminal.

ii

Of course your lies
are more amusing:
you make them new each time.

Your truths, painful and boring
repeat themselves over & over
perhaps because you own
so few of them

iii

A truth should exist,
it should not be used
like this. If I love you

is that a fact or a weapon?

iv

Does the body lie
moving like this, are these
touches, hairs, wet
soft marble my tongue runs over
lies you are telling me?

Your body is not a word,
it does not lie or
speak truth either.

It is only
here or not here.
[identity profile] mehinda.livejournal.com
You fit into me
like a hook into an eye

a fish hook
an open eye

-Margaret Atwood
[identity profile] gh0stmeat.livejournal.com

I'm thinking about you. What else can I say?
The palm trees on the reverse
are a delusion; so is the pink sand.
What we have are the usual
fractured coke bottles and the smell
of backed-up drains, too sweet,
like a mango on the verge
of rot, which we have also.
The air clear sweat, mosquitoes
& their tracks; birds & elusive.

Time comes in waves here, a sickness, one
day after the other rolling on;
I move up, it's called
awake, then down into the uneasy
nights but never
forward. The roosters crow
for hours before dawn, and a prodded
child howls & howls
on the pocked road to school.
In the hold with the baggage
there are two prisoners,
their heads shaved by bayonets, & ten crates
of queasy chicks. Each spring
there's race of cripples, from the store
to the church. This is the sort of junk
I carry with me; and a clipping
about democracy from the local paper.

Outside the window
they're building the damn hotel,
nail by nail, someone's
crumbling dream. A universe that includes you
can't be all bad, but
does it? At this distance
you're a mirage, a glossy image
fixed in the posture
of the last time I saw you.
Turn you over, there's the place
for the address. Wish you were
here. Love comes
in waves like the ocean, a sickness which goes on
& on, a hollow cave
in the head, filling & pounding, a kicked ear.
[identity profile] peccare.livejournal.com
You begin this way:

this is your hand,

this is your eye,

that is a fish, blue and flat

on the paper, almost

the shape of an eye.

This is your mouth, this is an O

or a moon, whichever

you like. This is yellow.



Outside the window

is the rain, green

because it is summer, and beyond that

the trees and then the world,

which is round and has only

the colors of these nine crayons.



This is the world, which is fuller

and more difficult to learn than I have said.

You are right to smudge it that way

with the red and then

the orange: the world burns.



Once you have learned these words

you will learn that there are more

words than you can ever learn.

The word hand floats above your hand

like a small cloud over a lake.

The word hand anchors

your hand to this table,

your hand is a warm stone

I hold between two words.



This is your hand, these are my hands, this is the world,

which is round but not flat and has more colors

than we can see.



It begins, it has an end,

this is what you will

come back to, this is your hand.
[identity profile] pilgrimaging.livejournal.com
A Meal
by Margaret Atwood

We sit at a clean table
eating thoughts from clean plates

and see, there is my heart
germfree, and transparent as glass

and there is my brain, pure
as cold water in the china
bowl of my skull

and you are talking
with words that fall spare
on the ear like the metallic clink
of knife and fork.
Safety by all means; )
[identity profile] artofthebawdy.livejournal.com
The moment

The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,

is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.

Margaret Atwood
[identity profile] orneryhipster.livejournal.com
Half Hanged Mary
Margaret Atwood

7 p.m.

Rumour was loose in the air,
hunting for some neck to land on.
I was milking the cow,
the barn door open to the sunset.

I didn’t feel the aimed word hit
and go on in like a soft bullet.
I didn’t feel the smashed flesh
closing over it like water
over a thrown stone.

I was hanged for living alone,
for having blue eyes and a sunburned skin,
tattered skirts, few buttons,
a weedy farm in my own name,
and a surefire cure for warts.

Oh yes, and breasts,
and a sweet pear hidden in my body.
Whenever there’s talk of demons
these come in handy.

8 p.m. )

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