Brian Turner
Dec. 18th, 2006 10:43 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png){kind=small}
citizenwind.livejournal.com posting in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png){kind=small}
greatpoetryAudio:
http://www.fishousepoems.org
Text
2000 lbs.
Ashur Square, Mosul
It begins simply with a fist, white-knuckled
and tight, glossy with sweat. With two eyes
in a rearview mirror watching for a convoy.
The radio a soundtrack that adrenaline has
pushed into silence, replacing it with a heartbeat,
that of his thumb, trembling over the button.
*
http://www.fishousepoems.org
Text
2000 lbs.
Ashur Square, Mosul
It begins simply with a fist, white-knuckled
and tight, glossy with sweat. With two eyes
in a rearview mirror watching for a convoy.
The radio a soundtrack that adrenaline has
pushed into silence, replacing it with a heartbeat,
that of his thumb, trembling over the button.
*
A flight of gold, that’s what Sefwan thinks
as he lights a Miami, draws in the smoke
and waits in his taxi at the traffic circle.
He thinks of summer 1974, lifting
pitchforks of grain high into the air,
the slow drift of it like the fall of Shatha’s hair,
and although it was decades ago, he still loves her,
remembers her standing at the canebreak
where the buffalo cooled shoulder-deep in the water,
pleased with the orange cups of flowers he brought her,
and he regrets how so much can go wrong in a life,
how easily the years slip by, as light as that grain, bright
as the street’s concussion of metal, shrapnel
traveling at the speed of sound to open him up
in blood and shock, a man whose last thoughts
are of love and wreckage, with no one there
to whisper him gone.
*
Sgt. Ledouix of the National Guard
speaks but cannot hear the words coming out,
and it’s just as well his eardrums have ruptured
because it lends the world a certain calm,
though the traffic circle is filled with people
running in panic, their legs a blur,
like horses in a carousel, turning
and turning the way the tires spin
on the Humvee flipped onto its side,
the gunner’s hatch he was thrown from
a mystery to him now, a dark hole
in metal the color of sand, and if he could,
he would crawl back inside of it,
though his fingertips scratch at the asphalt
he hasn’t the strength to move:
shrapnel has torn into his ribcage
and he will bleed to death in minutes,
but he finds himself surrounded by a strange
beauty, the shine of light on the broken,
a woman’s hand touching his face, tenderly
the way his wife might, amazed to find
their wedding ring on his crushed hand,
the bright gold sinking in flesh
going to bone.
*
Rasheed passes the bridal shop
on a bicycle, with Sefa beside him,
and just before the air ruckles and breaks
he glimpses the sidewalk reflections
in the storefront glass, men and women
walking and talking, or not, in an instant
of clarity, just before each of them shatters
under the detonation’s wave,
as if the very thought of them were being
destroyed, stripped of form,
that blast tearing into the manikins
who stood as though husband and wife
a moment before, who cannot touch
one another, who cannot kiss,
who now lie together in glass and debris,
holding one another in their half-armed embrace,
calling this love, if this is all there will ever be.
*
Nearby, an old woman cradles her grandson
whispering, rocking him on her knees
as though singing him to sleep, her hands
wet with their blood, her black dress
soaking in it as her legs give out
and she buckles with him to the ground.
If you’d asked her forty years earlier
begging by the roadside for money, here,
with a bomb exploding at the market
among all these people, she’d have said
To have your heart broken one last time
before dying, to kiss a child given sight
of a life he could never live? It’s impossible,
this isn't the way we die.
*
And the man who pushed the trigger,
who may have invoked the prophet’s name,
or not -- he is obliterated at the epicenter,
he is everywhere, he is of all things,
his touch is the air taken in, the blast
and the wave, the electricity of shock,
his is the sound the heart makes quick
in the panic’s rush, the surge of blood
searching for light and color, that sound
the martyr cries at the tops of the lungs,
the word his soul is made of, Inshallah.
*
Still hanging in the air over Ashur Square,
the telephone line snapped in two, crackling
a strange incantation the dead hear
as they wander confused amongst one another,
learning each other’s names, trying to comfort
the living in their grief, trying to console
those who cannot accept this random pain,
speaking habib softly, one to another there
in the rubble and debris, habib
over and over, that it might not be forgotten.
as he lights a Miami, draws in the smoke
and waits in his taxi at the traffic circle.
He thinks of summer 1974, lifting
pitchforks of grain high into the air,
the slow drift of it like the fall of Shatha’s hair,
and although it was decades ago, he still loves her,
remembers her standing at the canebreak
where the buffalo cooled shoulder-deep in the water,
pleased with the orange cups of flowers he brought her,
and he regrets how so much can go wrong in a life,
how easily the years slip by, as light as that grain, bright
as the street’s concussion of metal, shrapnel
traveling at the speed of sound to open him up
in blood and shock, a man whose last thoughts
are of love and wreckage, with no one there
to whisper him gone.
*
Sgt. Ledouix of the National Guard
speaks but cannot hear the words coming out,
and it’s just as well his eardrums have ruptured
because it lends the world a certain calm,
though the traffic circle is filled with people
running in panic, their legs a blur,
like horses in a carousel, turning
and turning the way the tires spin
on the Humvee flipped onto its side,
the gunner’s hatch he was thrown from
a mystery to him now, a dark hole
in metal the color of sand, and if he could,
he would crawl back inside of it,
though his fingertips scratch at the asphalt
he hasn’t the strength to move:
shrapnel has torn into his ribcage
and he will bleed to death in minutes,
but he finds himself surrounded by a strange
beauty, the shine of light on the broken,
a woman’s hand touching his face, tenderly
the way his wife might, amazed to find
their wedding ring on his crushed hand,
the bright gold sinking in flesh
going to bone.
*
Rasheed passes the bridal shop
on a bicycle, with Sefa beside him,
and just before the air ruckles and breaks
he glimpses the sidewalk reflections
in the storefront glass, men and women
walking and talking, or not, in an instant
of clarity, just before each of them shatters
under the detonation’s wave,
as if the very thought of them were being
destroyed, stripped of form,
that blast tearing into the manikins
who stood as though husband and wife
a moment before, who cannot touch
one another, who cannot kiss,
who now lie together in glass and debris,
holding one another in their half-armed embrace,
calling this love, if this is all there will ever be.
*
The civil affairs officer, Lt. Jackson, stares
at his missing hands, which makes
no sense to him, no sense at all, to wave
these absurd stumps held in the air
where just a moment before he’d blown bubbles
out the Humvee window, his left hand holding the bottle,
his right hand dipping the plastic ring in soap,
filling the air behind them with floating spheres,
something for the children, something beautiful,
translucent globes with their iridescent skins
drifting on vehicle exhaust and the breeze
that might lift one day over the Zagros mountains,
that kind of hope, small globes which may have
astonished someone on the sidewalk
seven minutes
from blood loss
the wounds that would carry him all the way home.
Nearby, an old woman cradles her grandson
whispering, rocking him on her knees
as though singing him to sleep, her hands
wet with their blood, her black dress
soaking in it as her legs give out
and she buckles with him to the ground.
If you’d asked her forty years earlier
begging by the roadside for money, here,
with a bomb exploding at the market
among all these people, she’d have said
To have your heart broken one last time
before dying, to kiss a child given sight
of a life he could never live? It’s impossible,
this isn't the way we die.
*
And the man who pushed the trigger,
who may have invoked the prophet’s name,
or not -- he is obliterated at the epicenter,
he is everywhere, he is of all things,
his touch is the air taken in, the blast
and the wave, the electricity of shock,
his is the sound the heart makes quick
in the panic’s rush, the surge of blood
searching for light and color, that sound
the martyr cries at the tops of the lungs,
the word his soul is made of, Inshallah.
*
Still hanging in the air over Ashur Square,
the telephone line snapped in two, crackling
a strange incantation the dead hear
as they wander confused amongst one another,
learning each other’s names, trying to comfort
the living in their grief, trying to console
those who cannot accept this random pain,
speaking habib softly, one to another there
in the rubble and debris, habib
over and over, that it might not be forgotten.
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no subject
Date: 2006-12-19 02:25 pm (UTC)no subject
Date: 2006-12-19 08:39 am (UTC)I'm probably being too crass. It seems to me a very simple poetry of witness, though. A reporter with linebreaks, who's allowed to leave the green zone. Somehow managing to make such real drama seem forced. Am I missing something?
no subject
Date: 2006-12-19 08:56 am (UTC)no subject
Date: 2006-12-19 02:47 pm (UTC)we studied him in a capstone class and mostly focused on how's and the order of the information he presents, much moreso than what the bare subject matters he reveals.
no subject
Date: 2006-12-19 05:55 pm (UTC)