[identity profile] swannishs-epee.livejournal.com posting in [community profile] greatpoetry
I remember there being a poem posted on here a long time ago- a slam poem by a woman talking about what it's like to go out with a book worm. I want to use because I'm looking for poems with literature as their main focus. Here's some I have so far. Please share any other poems you know of that are about literature too!

Thanks, guys!

James Richardson - In Shakespeare

In Shakespeare a lover turns into an ass
as you would expect. People confuse
their consciences with ghosts and witches.
Old men throw everything away
because they panic and can't feel their lives.
They pinch themselves, pierce themselves with twigs,
cliffs, lightning, and die—yes, finally—in glad pain.

You marry a woman you've never talked to,
a woman you thought was a boy.
Sixteen years go by as a curtain billows
once, twice. Your children are lost,
they come back, you don't remember how.
A love turns to a statue in a dress, the statue
comes back to life. Oh God, it's all so realistic
I can't stand it. Whereat I weep and sing.

Such a relief, to burst from the theatre
into our cool, imaginary streets
where we know who's who and what's what,
and command with Metrocards our destinations.
Where no one with a story struggling in him
convulses as it eats its way out,
and no one in an antiseptic corridor,
or in deserts or in downtown darkling plains,
staggers through an Act that just will not end,
eyes burning with the burning of the dead.



The Wordsworth Effect"
by Joyce Sutphen

Is when you return to a place
and it's not nearly as amazing
as you once thought it was,

or when you remember how you felt
about something (or someone) but you know
you'll never feel that way again.

It's when you notice someone has turned
down the volume, and you realize
it was you; when you have the

suspicion that you've met the enemy
and you are it, or when you get
your best ideas from your sister's journal.

Is also-to be fair-the thing that enables
you to walk for miles and miles chanting to
yourself in iambic pentameter

and to travel through Europe with
only a clean shirt, a change of
underwear, a notebook and a pen.

And yes: is when you stretch out
on your couch and summon up ten thousand
daffodils, all dancing in the breeze.



A Poet Recalls Fiction
- Norm Sacuta

I have trouble with friends who want to know what happened.
And no, I'm not missing the forest for the trees -
the genus, size and shape,
even when the author cares enough,
will escape me later, become a forgotten shadow
at the edge of the moors.

I am the worst witness of another witness,
read pages and pages without memory
of a character's features.
My rhythmic eyes remember little,
move away from that tape by the door
where I should measure the criminal's height.
What difference does that make?
He robbed me, I might tell the officer.
Isn't that enough?

What's a character? It's every fear of every name
ever introduced to at parties,
crammed into The Tenant of Windfell Hall.
Thank god for Anna Karenina and Jane Eyre.
The title and name the same.

Let me tell you about Jane Eyre:

there's lightning that cleaves a tree directly in two
on the night she decides to marry. That man. The dark one
who talks roughly and has dark eyes so dark his first born
reflects back out of them. That's Jane Eyre.
That's all.

Don't ask me for more. I don't know
once the book is down. But open it again:
I know that point in the forest -
breadcrumbs lead home in all directions. There is no place
lost quite like it. I read pages and pages, enthralled,
then forget my way as the moon sets.

And isn't it glorious to know every word will rush at me,
like that mad woman from the attic,
when I read again tomorrow night.

Date: 2011-09-05 04:47 pm (UTC)
From: [identity profile] gamesiplay.livejournal.com
Emily Dickinson's Sestina for Molly Bloom
Barbara Lefcowitz

At times I almost believed it: madness
the only way to say yes,
to stumble into shapes of night
that gape open like abandoned wells--
This would work like no other

disguise--yet I chose another
route, neither mad
nor well
enough to shout yes!
when morning scissor-blades opened
my sack of night

full of valentines to death--Night
whose curve of darkness I preferred to other
hours' slanting light that would open
all my closed lives--not the madly
flowered darkness that would make you say yes!
but--I might as well

admit it--the well-
sealed kind of night
where I could nod yes
to another
sputter of benign madness
from the loaded gun of an open

wound whose red opening
was never stanched well
enough; if only I hadn't feared the mad
shudder-burst & bloom demanded by your night
I would have become another
woman, spread open like a figtree in my father's northern garden, Yes

or--yes!
a house with its shutters open
to another
throng of lovers climbing my well-
flowered hair night after night,
all Amherst going mad,

its quartz contentment split open by the pulsing night--
Molly, as well become you as another--
Yes, and my heart going like mad and yes saying yes I will yes!

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