greatpoetry | Poems about Chicago?

pyreneeees.livejournal.com posting in

A friend asked if I know any poems about Chicago. Apart from Carl Sandburg, I don't. Do you? In return, here is a great one about Boston.

Boston
by Aaron Smith

I've been meaning to tell
you how the sky is pink
here sometimes like the roof
of a mouth that's about to chomp
down on the crooked steel teeth
of the city,

I remember the desperate 
things we did
                and that I stumble
down sidewalks listening
to the buzz of street lamps
at dusk and the crush
of leaves on the pavement,

Without you here I'm viciously lonely

and I can't remember 
the last time I felt holy,
the last time I offered
myself as sanctuary

*

I watched two men 
press hard into
each other, their bodies
caught in the club’s
bass drum swell,
and I couldn’t remember
when I knew I’d never
be beautiful, but it must 
have been quick
and subtle, the way
the holy ghost can pass
in and out of a room.
I want so desperately
to be finished with desire,
the rushing wind, the still
small voice.

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From:

twirls.livejournal.com

I don't have any Chicago poems, but this reminds me so thickly of Frank O'Hara's Nocturne-- in good ways, but yeah.

From:

mirmusing.livejournal.com

CHICAGO SAMBA - Aldo Kraas

I live in chicago
A very windy city
But tonight I will dance the Chicago samba
Once again
But when I dance the chicago blues
I sweat like crazy
And I feel like a kid again
But when I hear the chicago samba being played by the local musiciams
In the streets of chicago I get very excited
Because I know that their music cam be heard also from faraway
And bring me back memories of home

Chicago Sestina - Brian Maloney

I am surprised by the streets of Chicago
when the palm of winter grips them with snow
as if to forgive the city’s mistakes
and give it a canvas that’s new, white, and clean–
its fingers, the branches on all of the trees
kneading the air that blows in from the lake.

I’ve never lived next to the pulse of the lake
(until I set foot down the side of Chicago)
breathing in through the streets and out through the trees
welcoming the cool of the wet, numbing snow.
It lets my mind slip into thinking it’s clean
as if to personally forgive my mistakes.

“But what have you done to forgive your mistakes? ”
Did I ask this? Or is that the voice of the lake?
Some days, not even does it appear clean,
worn down from its tall standing neighbor, Chicago.
It scrapes at the sky, asking it for more snow
to stick to and freeze the trunks of the trees.

If I were a branch on one of these trees
incapable of making a single mistake,
I’d grab at the sky as it shook out the snow
and grow my roots thick till they tasted the lake.
But I wouldn’t bend to the force of Chicago
that’s constantly keeping me from being clean.

And what does it mean to try to be clean?
I don’t understand the stillness of the trees
when they’re being attacked by the size of Chicago
as if to glorify the city’s mistakes
that glisten like stars at night on the lake
before it all froze and was covered with snow.

Ah! To imagine how long there’s been snow.
How can something this old still feel so clean
and dance through the wind that swoops in from the lake?
Is it the kneading by the spiny branches on trees
trusting that there will be no more mistakes
that leaves these the only pure thing in Chicago?

Here comes the snow that seeks out the trees
Am I now clean? Where are my mistakes?
Chicago belongs where it lay with the lake.

Finding Chicago - Clifton King

I wanted to write poetry like Carl Sandburg.
I wanted to write about big cities and small towns,
about open prairies and rivers in the sky.
I wanted to write about the people:
plumbers, politicians, poets,
but I’d never been east of Tucson.
So I quit my dead end job,
closed out my savings account, all 600 dollars,
and went to Chicago in search of a poem.

Chicago—City of the Big Shoulders, wrote Sandburg.
But I couldn’t find it.
I found Chicago falling down around an old black man
leaning on his battered bass case, the way you lean
on a friend when you’re in need. And Thomas Jefferson
Brown was a man in need, shoulders sagging under
the weight of six decades of back alley blues bars
and his thirst for blended whiskey.

Chicago—Player with Railroads and the Nation’s Freight Handler,
wrote Sandburg.
But I couldn’t find it.
I found Chicago in a rusted heap of railroad cars, twisted
tracks and 55 gallon drums where bums built their fires.
Factories and warehouses empty, workers sitting in nearby
bars drinking beer, expecting checks at the end of the week.

Chicago—Stormy, husky, brawling, wrote Sandburg.
But I couldn’t find it.
I found Chicago shimmering in the shadows of towering
concrete, steel and glass along 32nd Street, poets reading
in bookstores and coffee houses, children marching
to museums, women with slim hips in black silk gowns,
men in tuxedos and Italian shoes, dressed for the theater.

I wanted to write poetry like Sandburg.
But I couldn’t find his Chicago.

From:

exceptindreams.livejournal.com

"Clothespins"
Stuart Dybek

I once hit clothespins
for the Chicago Cubs.
I'd go out after supper
when the wash was in
and collect clothespins
from under four stories
of clothesline.
A swing-and-a-miss
was a strike-out;
the garage roof, Willie Mays,
pounding his mitt
under a pop fly.
Bushes, a double,
off the fence, triple,
and over, home run.
The bleachers roared.
I was all they ever needed for the flag.
New records every game—
once, 10 homers in a row!
But sometimes I'd tag them
so hard they'd explode,
legs flying apart in midair,
pieces spinning crazily
in all directions.
Foul Ball! What else
could I call it?
The bat was real.

"Chicago and December"
W. S. Di Piero

Trying to find my roost
one lidded, late afternoon,
the consolation of color
worked up like neediness,
like craving chocolate,
I’m at Art Institute favorites:
Velasquez’s “Servant,”
her bashful attention fixed
to place things just right,
Beckmann’s “Self-Portrait,”
whose fishy fingers seem
never to do a day’s work,
the great stone lions outside
monumentally pissed
by jumbo wreaths and ribbons
municipal good cheer
yoked around their heads.
Mealy mist. Furred air.
I walk north across
the river, Christmas lights
crushed on skyscraper glass,
bling stringing Michigan Ave.,
sunlight’s last-gasp sighing
through the artless fog.
Vague fatigued promise hangs
in the low darkened sky
when bunched scrawny starlings
rattle up from trees,
switchback and snag
like tossed rags dressing
the bare wintering branches,
black-on-black shining,
and I’m in a moment
more like a fore-moment:
from the sidewalk, watching them
poised without purpose,
I feel lifted inside the common
hazards and orders of things
when from their stillness,
the formal, aimless, not-waiting birds
erupt again, clap, elated weather-
making wing-clouds changing,
smithereened back and forth,
now already gone to follow
the river’s running course.

Cinema Verité"
Bin Ramke

So much I thought was only personal, like poetry,
like caring nothing for Caillebotte the man,
like arriving in Chicago by bus one gray morning
and having no place to go, going to the Art Institute
and the rain outside became nothing
next to the glorious gray of Paris, life-size.
The artist dead and all my life, I thought,
I've liked right things for wrong reasons.

My sojourn among meticulous dreams
continued. One summer I spent among smart children
taking lessons and abuse from the famous mathematician
who taught old words new: point, line, between.
And the long nights of teaching each other other words,
our fortunate failures. And the furious wind
blew down from time to time among us, hurricanes
which turned live oaks inside out like little minds,
mine, for instance, finding its fervent mode.

Remember that you, too, could live where men spit
while watching you and your mother pass.
That you want her for yourself alone.
Remember that those men are tall as God at such moments,
more mean. So walk among them, the afternoon cooling
within its limits, the mosquitoes taking
equally from black and white, true and false.

But there was a peninsula of time I lived on
when our family poverty left me
the couch to sleep on, the great clock
ticking terror through the night. Who can love
through his childhood insomnia? Only rain
could save me–those blessed gray
nights of noise, when sleep, like Ali Baba's
quartered brother, was sewn back together.

From:

exceptindreams.livejournal.com

"Love Worn"
Lita Hooper

In a tavern on the Southside of Chicago
a man sits with his wife. From their corner booth
each stares at strangers just beyond the other's shoulder,
nodding to the songs of their youth. Tonight they will not fight.

Thirty years of marriage sits between them
like a bomb. The woman shifts
then rubs her right wrist as the man recalls the day
when they sat on the porch of her parents' home.

Even then he could feel the absence of something
desired or planned. There was the smell
of a freshly tarred driveway, the slow heat,
him offering his future to folks he did not know.

And there was the blooming magnolia tree in the distance—
its oversized petals like those on the woman's dress,
making her belly even larger, her hands
disappearing into the folds.

When the last neighbor or friend leaves their booth
he stares at her hands, which are now closer to his,
remembers that there had always been some joy. Leaning
closer, he believes he can see their daughter in her eyes.

"The Legend"
Garrett Hongo

In Chicago, it is snowing softly
and a man has just done his wash for the week.
He steps into the twilight of early evening,
carrying a wrinkled shopping bag
full of neatly folded clothes,
and, for a moment, enjoys
the feel of warm laundry and crinkled paper,
flannellike against his gloveless hands.
There’s a Rembrandt glow on his face,
a triangle of orange in the hollow of his cheek
as a last flash of sunset
blazes the storefronts and lit windows of the street.

He is Asian, Thai or Vietnamese,
and very skinny, dressed as one of the poor
in rumpled suit pants and a plaid mackinaw,
dingy and too large.
He negotiates the slick of ice
on the sidewalk by his car,
opens the Fairlane’s back door,
leans to place the laundry in,
and turns, for an instant,
toward the flurry of footsteps
and cries of pedestrians
as a boy—that’s all he was—
backs from the corner package store
shooting a pistol, firing it,
once, at the dumbfounded man
who falls forward,
grabbing at his chest.

A few sounds escape from his mouth,
a babbling no one understands
as people surround him
bewildered at his speech.
The noises he makes are nothing to them.
The boy has gone, lost
in the light array of foot traffic
dappling the snow with fresh prints.
Tonight, I read about Descartes’
grand courage to doubt everything
except his own miraculous existence
and I feel so distinct
from the wounded man lying on the concrete
I am ashamed.

Let the night sky cover him as he dies.
Let the weaver girl cross the bridge of heaven
and take up his cold hands.