One Poem and One Request
Feb. 7th, 2013 10:49 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
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Beautiful by Richard Brautigan
I go to bed in Los Angeles thinking
about you.
Pissing a few moments ago
I looked down at my penis
affectionately.
Knowing it has been inside
you twice today makes me
feel beautiful.
3 A.M.
January 15, 1967
Also, does anyone have any poems that mention/allude to being apprehensive about opening up to another person or opening up to someone/making oneself vulnerable in general?
Thank you for any help. <3
I go to bed in Los Angeles thinking
about you.
Pissing a few moments ago
I looked down at my penis
affectionately.
Knowing it has been inside
you twice today makes me
feel beautiful.
3 A.M.
January 15, 1967
Also, does anyone have any poems that mention/allude to being apprehensive about opening up to another person or opening up to someone/making oneself vulnerable in general?
Thank you for any help. <3
no subject
Date: 2013-02-08 12:52 pm (UTC)First Poem for You
By Kim Addonizio
I like to touch your tattoos in complete
darkness, when I can’t see them. I’m sure of
where they are, know by heart the neat
lines of lightning pulsing just above
your nipple, can find, as if by instinct, the blue
swirls of water on your shoulder where a serpent
twists, facing a dragon. When I pull you
to me, taking you until we’re spent
and quiet on the sheets, I love to kiss
the pictures in your skin. They’ll last until
you’re seared to ashes; whatever persists
or turns to pain between us, they will still
be there. Such permanence is terrifying.
So I touch them in the dark; but touch them, trying.
“So,”
by Philip Booth
So, there’s no way to be sure. Not
about much of anything. No more about
anyone else than ourselves. Perhaps
not even of death, except that it’s bound
to happen. To you, yes; to me, us: the lot
of humankind, given how humankind sees it
from this near side. So what.
So nothing that we here and now
can perfectly know. Save, though the lens
our eyes raise, the old here and now.
The this, the already-going that moves us.
The red-shift we’re constantly part of.
And why not? Between what we were, and
are going to be, is who and how we best love.