Request + Piercy

[ninasafiri.livejournal.com]

REQUEST: Poems about revenge/vengeance or reclaiming something from an enemy.

If They Come In The Night, Marge Piercy

Long ago on a night of danger and vigil
a friend said, why are you happy?
He explained (we lay together
on a cold hard floor) what prison
meant because he had done
time, and I talked of the death
of friends. Why are you happy
then, he asked, close to
angry.

I said, I like my life. If I
have to give it back, if they
take it from me, let me
not feel I wasted any, let me
not feel I forgot to love anyone
I meant to love, that I forgot
to give what I held in my hands,
that I forgot to do some little
piece of the work that wanted
to come through.

Sun and moonshine, starshine,
the muted light off the waters
of the bay at night, the white
light of the fog stealing in,
the first spears of morning
touching a face
I love. We all lose
everything. We lose
ourselves. We are lost.

Only what we manage to do
lasts, what love sculpts from us;
but what I count, my rubies, my
children, are those moments
wide open when I know clearly
who I am, who you are, what we
do, a marigold, an oakleaf, a meteor,
with all my senses hungry and filled
at once like a pitcher with light.

Comments

[duathir.livejournal.com]

The Blood-Red Fourragere

What was the blackest sight to me
Of all that campaign?
A naked woman tied to a tree
With jagged holes where her breasts should be,
Rotting there in the rain.

On we pressed to the battle fray,
Dogged and dour and spent.
Sudden I heard my Captain say:
"Voilà! Kultur has passed this way,
And left us a monument."

So I looked and I saw our Colonel there,
And his grand head, snowed with the years,
Unto the beat of the rain was bare;
And, oh, there was grief in his frozen stare,
And his cheeks were stung with tears!

Then at last he turned from the woeful tree,
And his face like stone was set;
"Go, march the Regiment past," said he,
"That every father and son may see,
And none may ever forget."

Oh, the crimson strands of her hair downpoured
Over her breasts of woe;
And our grim old Colonel leaned on his sword,
And the men filed past with their rifles lowered,
Solemn and sad and slow.

But I'll never forget till the day I die,
As I stood in the driving rain,
And the jaded columns of men slouched by,
How amazement leapt into every eye,
Then fury and grief and pain.

And some would like madmen stand aghast,
With their hands upclenched to the sky;
And some would cross themselves as they passed,
And some would curse in a scalding blast,
And some like children cry.

Yea, some would be sobbing, and some would pray,
And some hurl hateful names;
But the best had never a word to say;
They turned their twitching faces away,
And their eyes were like hot flames.

They passed; then down on his bended knee
The Colonel dropped to the Dead:
"Poor martyred daughter of France!" said he,
"O dearly, dearly avenged you'll be
Or ever a day be sped!"

Now they hold that we are the best of the best,
And each of our men may wear,
Like a gash of crimson across his chest,
As one fierce-proved in the battle-test,
The blood-red Fourragere.

For each as he leaps to the top can see,
Like an etching of blood on his brain,
A wife or a mother lashed to a tree,
With two black holes where her breasts should be,
Left to rot in the rain.

So we fight like fiends, and of us they say
That we neither yield nor spare.
Oh, we have the bitterest debt to pay. . . .
Have we paid it? -- Look -- how we wear to-day
Like a trophy, gallant and proud and gay,
Our blood-red Fourragere.

by Robert Service


Judith

Wondering how a good woman can murder
I enter the tent of Holofernes,
holding in one hand his long oiled hair
and in the other, raised above
his sleeping, wine-flushed face,
his falchion with its unsheathed
curved blade. And I feel a rush
of tenderness, a longing
to put down my weapon, to lie
sheltered and safe in a warrior's
fumy sweat, under the emerald stars
of his purple and gold canopy,
to melt like a sweet on his tongue
to nothing. And I remember the glare
of the barley-field; my husband
pushing away the sponge I pressed
to his burning head; the stubble
puncturing my feet as I ran,
flinging myself upon a body
that was already cooling
and stiffening; and the nights
when I lay on the roof - my emptiness
like the emptiness of a temple
with the doors kicked in; and the mornings
when I rolled in the ash of the fire
just to be touched and dirtied
by something. And I bring my blade
down on his neck - and it's easy
like slicing through fish.
And I bring it down again,
cleaving the bone.

by Vicki Feaver

[duathir.livejournal.com]

The Poet as Hero

You've heard me, scornful, harsh, and discontented,
Mocking and loathing War: you've asked me why
Of my old, silly sweetness I've repented--
My ecstasies changed to an ugly cry.

You are aware that once I sought the Grail,
Riding in armour bright, serene and strong;
And it was told that through my infant wail
There rose immortal semblances of song.

But now I've said good-bye to Galahad,
And am no more the knight of dreams and show:
For lust and senseless hatred make me glad,
And my killed friends are with me where I go.
Wound for red wound I burn to smite their wrongs;
And there is absolution in my songs.

by Siegfried Sassoon


The Happy Warrior

His wild heart beats with painful sobs,
His strin'd hands clench an ice-cold rifle,
His aching jaws grip a hot parch'd tongue,
His wide eyes search unconsciously.

He cannot shriek.

Bloody saliva
Dribbles down his shapeless jacket.

I saw him stab
And stab again
A well-killed Boche.

This is the happy warrior,
This is he...

by Herbert Read


A Dead Boche

To you who'd read my songs of War
And only hear of blood and fame,
I'll say (you've heard it said before)
"War's Hell!" and if you doubt the same,
Today I found in Mametz Wood
A certain cure for lust of blood:

Where, propped against a shattered trunk,
In a great mess of things unclean,
Sat a dead Boche; he scowled and stunk
With clothes and face a sodden green,
Big-bellied, spectacled, crop-haired,
Dribbling black blood from nose and beard.

by Robert Graves


Vergissmeinnicht
Elegy for an 88 Gunner

Three weeks gone and the combatants gone
returning over the nightmare ground
we found the place again, and found
the soldier sprawling in the sun.

The frowning barrel of his gun
overshadowing. As we came on
that day, he hit my tank with one
like the entry of a demon.

Look. Here in the gunpit spoil
the dishonoured picture of his girl
who has put: Steffi. Vergissmeinnicht
in a copybook gothic script.

We see him almost with content,
abased, and seeming to have paid
and mocked at by his own equipment
that's hard and good when he's decayed.

But she would weep to see today
how on his skin the swart flies move;
the dust upon the paper eye
and the burst stomach like a cave.

For here the lover and killer are mingled
who had one body and one heart.
And death who had the soldier singled
has done the lover mortal hurt.

By Keith Douglas


Enemies

He stood alone in some queer sunless place
Where Armageddon ends. Perhaps he longed
For days he might have lived; but his young face
Gazed forth untroubled: and suddenly there thronged
Round him the hulking Germans that I shot
When for his death my brooding rage was hot.

He stared at them, half-wondering; and then
They told him how I’d killed them for his sake—
Those patient, stupid, sullen ghosts of men;
And still there seemed no answer he could make.
At last he turned and smiled. One took his hand
Because his face could make them understand.

by Siegfried Sassoon

[duathir.livejournal.com]

The Grave of the Hundred Head

There's a widow in sleepy Chester
Who weeps for her only son;
There's a grave on the Pabeng River,
A grave that the Burmans shun;
And there's Subadar Prag Tewarri
Who tells how the work was done.

A Snider squibbed in the jungle,
Somebody laughed and fled,
And the men of the First Shikaris
Picked up their Subaltern dead,
With a big blue mark in his forehead
And the back blown out of his head.

Subadar Prag Tewarri,
Jemadar Hira Lal,
Took command of the party,
Twenty rifles in all,
Marched them down to the river
As the day was beginning to fall.

They buried the boy by the river,
A blanket over his face --
They wept for their dead Lieutenant,
The men of an alien race --
They made a samadh in his honor,
A mark for his resting-place.

For they swore by the Holy Water,
They swore by the salt they ate,
That the soul of Lieutenant Eshmitt Sahib
Should go to his God in state,
With fifty file of Burmans
To open him Heaven's gate.

The men of the First Shikaris
Marched till the break of day,
Till they came to the rebel village,
The village of Pabengmay --
A jingal covered the clearing,
Calthrops hampered the way.

Subadar Prag Tewarri,
Bidding them load with ball,
Halted a dozen rifles
Under the village wall;
Sent out a flanking-party
With Jemadar Hira Lal.

The men of the First Shikaris
Shouted and smote and slew,
Turning the grinning jingal
On to the howling crew.
The Jemadar's flanking-party
Butchered the folk who flew.

Long was the morn of slaughter,
Long was the list of slain,
Five score heads were taken,
Five score heads and twain;
And the men of the First Shikaris
Went back to their grave again,

Each man bearing a basket
Red as his palms that day,
Red as the blazing village --
The village of Pabengmay,
And the "drip-drip-drip" from the baskets
Reddened the grass by the way.

They made a pile of their trophies
High as a tall man's chin,
Head upon head distorted,
Set in a sightless grin,
Anger and pain and terror
Stamped on the smoke-scorched skin.

Subadar Prag Tewarri
Put the head of the Boh
On the top of the mound of triumph,
The head of his son below --
With the sword and the peacock-banner
That the world might behold and know.

Thus the samadh was perfect,
Thus was the lesson plain
Of the wrath of the First Shikaris --
The price of a white man slain;
And the men of the First Shikaris
Went back into camp again.

Then a silence came to the river,
A hush fell over the shore,
And Bohs that were brave departed,
And Sniders squibbed no more;
For the Burmans said
That a white man's head
Must be paid for with heads five-score.

There's a widow in sleepy Chester
Who weeps for her only son;
There's a grave on the Pabeng River,
A grave that the Burmans shun;
And there's Subadar Prag Tewarri
Who tells how the work was done.

by Rudyard Kipling

[duathir.livejournal.com]

Greeting Bush in Baghdad
“This is a farewell kiss, you dog.”
-- Muntader al-Zaidi

You are a guest in my country, unwanted
surely, but still a guest.

You stand before us waiting for praise,
but how can we praise you?

You come after your planes have rained
death on our cities.

Your soldiers broke down our doors,
humiliated our men, disgraced our women.

We are not a frontier town and you are not
our marshal.

You are a torturer. We know you force water
down the throats of our prisoners.

We have seen the pictures of our naked prisoners
threatened by your snarling dogs.

You are a maker of widows and orphans,
a most unwelcome guest.

I have only this for you, my left shoe that I hurl
at your lost and smirking face,

and my right shoe that I throw at your face
of no remorse.

by David Krieger
Iraqi journalist throws shoes at Bush in Baghdad, Dec. 14 2008 (http://www.cnn.com/2008/WORLD/meast/12/14/bush.iraq/)


The Hour and What Is Dead

Tonight my brother, in heavy boots, is walking
through bare rooms over my head,
opening and closing doors.
What could he be looking for in an empty house?
What could he possibly need there in heaven?
Does he remember his earth, his birthplace set to torches?
His love for me feels like spilled water
running back to its vessel.

At this hour, what is dead is restless
and what is living is burning.

Someone tell him he should sleep now.

My father keeps a light on by our bed
and readies for our journey.
He mends ten holes in the knees
of five pairs of boy's pants.
His love for me is like sewing:
various colors and too much thread,
the stitching uneven. But the needle pierces
clean through with each stroke of his hand.

At this hour, what is dead is worried
and what is living is fugitive.

Someone tell him he should sleep now.

God, that old furnace, keeps talking
with his mouth of teeth,
a beard stained at feasts, and his breath
of gasoline, airplane, human ash.
His love for me feels like fire,
feels like doves, feels like river-water.

At this hour, what is dead is helpless, kind
and helpless. While the Lord lives.

Someone tell the Lord to leave me alone.
I've had enough of his love
that feels like burning and flight and running away.

by Li-Young Lee

The People of the Other Village

The people of the other village
hate the people of this village
and would nail our hats
to our heads for refusing in their presence to remove them
or staple our hands to our foreheads
for refusing to salute them
if we did not hurt them first: mail them packages of rats,
mix their flour at night with broken glass.
We do this, they do that.
They peel the larynx from one of our brothers’ throats.
We devein one of their sisters.
The quicksand pits they built were good.
Our amputation teams were better.
We trained some birds to steal their wheat.
They sent to us exploding ambassadors of peace.
They do this, we do that.
We canceled our sheep imports.
They no longer bought our blankets.
We mocked their greatest poet
and when that had no effect
we parodied the way they dance
which did cause pain, so they, in turn, said our God
was leprous, hairless.
We do this, they do that.
Ten thousand (10,000) years, ten thousand
(10,000) brutal, beautiful years.

by Thomas Lux

[bloodrebel333.livejournal.com]

Thank you!

[duathir.livejournal.com]

A Poem for Gaza

I never knew death until I saw the bombing of a refugee camp
Craters filled with disfigured ankles and splattered torsos
But no sign of a face, the only impression a fading scream
I never understood pain
Until a seven-year-old girl clutched my hand
Stared up at me with soft brown eyes, waiting for answers
But I didn't have any
I had muted breath and dry pens in my back pocket
That couldn't fill pages of understanding or resolution

In her other hand she held the key to her grandmother's house
But I couldn't unlock the cell that caged her older brothers
They said, we slingshot dreams so the other side will feel our father's presence
A craftsman
Built homes in areas where no one was building
And when he fell, he was silent
A .50 caliber bullet tore through his neck shredding his vocal cords
Too close to the wall His hammer must have been a weapon
He must have been a weapon
Encroaching on settlement hills and demographics

So his daughter studies mathematics
Seven explosions times eight bodies
Equals four Congressional resolutions
Seven Apache helicopters times eight Palestinian villages
Equals silence and a second Nakba
Our birthrate minus their birthrate
Equals one sea and 400 villages re-erected
One state plus two peoples...and she can't stop crying
Never knew revolution or the proper equation
Tears at the paper with her fingertips
Searching for answers
But only has teachers
Looks up to the sky and see stars of David demolishing squalor with hellfire missiles

She thinks back words and memories of his last hug before he turned and fell
Now she pumps dirty water from wells, while settlements divide and conquer
And her father's killer sits beachfront with European vernacular
She thinks back words, while they think backwards
Of obscene notions and indigenous confusion

This our land!, she said
She's seven years old
This our land!, she said
And she doesn't need a history book or a schoolroom teacher
She has these walls, this sky, her refugee camp
She doesn't know the proper equation
But she sees my dry pens
No longer waiting for my answers
Just holding her grandmother's key...searching for ink

by Remi Kanazi

[somehowfurious.livejournal.com]

Love Song for an Enemy
Elaine Equi

I love you
but not enough

to kill you
or let you live.

Such indecision
cost me years of sleep.

My mind
full of doubts
like geese.

One day of reckoning
I'll have a secret rendezvous
with indifference.

Step back
while you pass
like a cloud.

Prayer for the Man Who Mugged My Father, 72
Charles Harper Webb

May there be an afterlife.

May you meet him there, the same age as you.
May the meeting take place in a small, locked room.

May the bushes where you hid be there again, leaves tipped with razor-
blades and acid.
May the rifle butt you bashed him with be in his hands.
May the glass in his car window, which you smashed as he sat stopped
at a red light, spike the rifle butt, and the concrete on which you’ll
fall.

May the needles the doctors used to close his eye, stab your pupils
every time you hit the wall and then the floor, which will be often.
May my father let you cower for a while, whimpering, "Please don't
shoot me. Please."
May he laugh, unload your gun, toss it away;
Then may he take you with bare hands.

May those hands, which taught his son to throw a curve and drive a nail
and hold a frog, feel like cannonballs against your jaw.
May his arms, which powered handstands and made their muscles jump
to please me, wrap your head and grind your face like stone.
May his chest, thick and hairy as a bear's, feel like a bear's snapping
your bones.
May his feet, which showed me the flutter kick and carried me miles
through the woods, feel like axes crushing your one claim to man-
hood as he chops you down.

And when you are down, and he's done with you, which will be soon,
since, even one-eyed, with brain damage, he's a merciful man,
May the door to the room open and let him stride away to the Valhalla
he deserves.
May you—bleeding, broken—drag yourself upright.

May you think the worst is over;
You've survived, and may still win.

Then may the door open once more, and let me in.

[elenbarathi.livejournal.com]

Oh, oh, you will be sorry for that word!
Give me back my book and take my kiss instead.
Was it my enemy or my friend I heard,
``What a big book for such a little head!''
Come, I will show you now my newest hat,
And you may watch me purse my mouth and prink!
Oh, I shall love you still, and all of that.
I never again shall tell you what I think.
I shall be sweet and crafty, soft and sly;
You will not catch me reading any more:
I shall be called a wife to pattern by;
And some day when you knock and push the door,
Some sane day, not too bright and not too stormy,
I shall be gone, and you may whistle for me.

~Edna St. Vincent Millay


'The Vindictives'

You like to hear about gold.
A king filled his prison room
As full as the room could hold
To the top of his reach on the wall
With every known shape of the stuff.
'Twas to buy himself off his doom.
But it wasn't ransom enough.
His captors accepted it all,
But didn't let go of the king.
They made him send out a call
To his subjects to gather them more.
And his subjects wrung all they could wring
Out of temple and palace and store.
But when there seemed no more to bring,
His captors convicted the king
Of once having started a war,
And strangled the wretch with a string.

But really that gold was not half
That a king might have hoped to compel-
Not a half, not a third, not a tithe.
The king had scarce ceased to writhe,
When hate gave a terrible laugh,
Like a manhole opened to Hell.
If gold pleased the conqueror, well,
That gold should be the one thing
The conqueror henceforth should lack.
They gave no more thought to the king.
All joined in the game of hide-gold.
They swore all the gold should go back
Deep into the earth whence it came.

Their minds ran on cranny and crack.
All joined in the maddening game.
The tale is still boastingly told
Of many a treasure by name "
That vanished into the black
And put out its light for the foe.

That self-sack and self-overthrow
That was the splendidest sack
Since the forest Germans sacked Rome
And took the gold candlesticks home.

One Inca prince on the rack,
And late in his last hour alive,
Told them in what lake to dive
To seek what they seemed so to want.
They dived and nothing was found.
He told them to dive till they drowned.
The whole fierce conquering pack
Hunted and tortured and raged.
There were suns of story and vaunt
They searched for into Brazil
Their tongues hanging out unassuaged.

But the conquered grew meek and still.
They slowly and silently aged.
They kept their secrets and died,
Maliciously satisfied.
One knew of a burial hole
In the floor of a tribal cave,
Where under deep ash and charcoal
And cracked bones, human and beast,
The midden of feast upon feast,

Was coiled in its last resting grave
The great treasure wanted the most,
The great thousand-linked gold chain,
Each link of a hundred weight,
That once between post and post
(In-leaning under the strain),
And looped ten times back and forth,
Had served as a palace gate.
Some said it had gone to the coast,
Some over the mountains east,
Some into the country north,
On the backs of a single-file host,
Commanded by one sun-priest,
And raising a dust with a train
Of flashing links in the sun.
No matter what some may say.
(The saying is never done.)
There bright in the filth it lay
Untarnished by rust and decay.
And be all plunderers curst.

'The best way to hate is the worst.
'Tis to find what the hated need,
Never mind of what actual worth,
And wipe that out of the earth.
Let them die of unsatisfied greed,
Of unsatisfied love of display,
Of unsatisfied love of the high,
Unvulgar, unsoiled, and ideal.
Let their trappings be taken away.
Let them suffer starvation and die
Of being brought down to the real'

~ Robert Frost