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[personal profile] med_cat
Patterns
by Amy Lowell


I walk down the garden paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.


My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whalebone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime-tree is in blossom
And one small flower has dropped upon my bosom.

 
And the splashing of the waterdrops / In the marble fountain... )
[identity profile] duathir.livejournal.com
Crepuscule du Matin

All night I wrestled with a memory
Which knocked insurgent at the gates of thought.
The crumbled wreck of years behind has wrought
Its disillusion; now I only cry
For peace, for power to forget the lie
Which hope too long has whispered. So I sought
The sleep which would not come, and night was fraught
With old emotions weeping silently.
I heard your voice again, and knew the things
Which you had promised proved an empty vaunt.
I felt your clinging hands while night's broad wings
Cherished our love in darkness. From the lawn
A sudden, quivering birdnote, like a taunt.
My arms held nothing but the empty dawn.

By Amy Lowell
med_cat: (Default)
[personal profile] med_cat
Originally posted by [livejournal.com profile] med_cat at September 1918
September 1918
by
Amy Lowell




This afternoon was the colour of water falling through sunlight;
The trees glittered with the tumbling of leaves;
The sidewalks shone like alleys of dropped maple leaves,
And the houses ran along them laughing out of square, open windows.
Under a tree in the park,
Two little boys, lying flat on their faces,
Were carefully gathering red berries
To put in a pasteboard box.
Some day there will be no war,
Then I shall take out this afternoon
And turn it in my fingers,
And remark the sweet taste of it upon my palate,
And note the crisp variety of its flights of leaves.
To-day I can only gather it
And put it into my lunch-box,
For I have time for nothing
But the endeavour to balance myself
Upon a broken world.
~~~


Amy Lowell (1874 - 1925) was born in Brookline, Massachusetts, to a family of significant wealth and social standing. In keeping with the standards of the time, she received little formal education and was, in fact, a notoriously poor speller, but she was an avid and discriminating collector of books, traveled extensively, and educated herself in many areas. Amy began writing and publishing when she was in her mid-twenties and, at one point, was publishing a book a year. A large, imposing woman fond of smoking cigars, Amy was a good promoter and a vocal advocate of poetry; that plus her reputation for eccentricity brought sell-out crowds to her readings and lectures.

(from yourdailypoem.com)
med_cat: (Default)
[personal profile] med_cat
Surprisingly, it looks like this poem has not been posted to this comm before...it is one of my favorites.

Patterns
by Amy Lowell


I walk down the garden paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.


My dress is richly figured,/And the train/Makes a pink and silver stain/On the gravel... )
[identity profile] orange-fell.livejournal.com
Grotesque

Amy Lowell


Why do the lilies goggle their tongues at me
When I pluck them;
And writhe and twist,
And strangle themselves against my fingers,
So that I can hardly weave the garland
For your hair?
Why do they shriek your name
And spit at me
When I would cluster them?
Must I kill them
To make them lie still,
And send you a wreathe of lolling corpses
To turn putrid and soft
On your forehead
While you dance?
[identity profile] iatrogenicmyth.livejournal.com
O You,
Who came upon me once
Stretched under apple-trees just after bathing,
Why did you not strangle me before speaking
Rather than fill me with the wild white honey of your words
And then leave me to the mercy
Of the forest bees.
[identity profile] elenbarathi.livejournal.com

A Grave Song

I've a pocketful of emptiness for you, my Dear.
I've a heart like a loaf was baked yesteryear,
I've a mind like ashes spilt a week ago,
I've a hand like a rusty, cracked corkscrew.

Can you flourish on nothing and find it good?
Can you make petrification do for food?
Can you warm yourself at ashes on a stone?
Can you give my hand the cunning which has gone?

If you can, I will go and lay me down
And kiss the edge of your purple gown.
I will rise and walk with the sun on my head.
Will you walk with me, will you follow the dead?

~by Amy Lowell

[identity profile] winter156.livejournal.com

Must all of worth be travailled for, and those
Life's brightest stars rise from a troubled sea?
Must years go by in sad uncertainty
Leaving us doubting whose the conquering blows,
Are we or Fate the victors? Time which shows
All inner meanings will reveal, but we
Shall never know the upshot. Ours to be
Wasted with longing, shattered in the throes,
The agonies of splendid dreams, which day
Dims from our vision, but each night brings back;
We strive to hold their grandeur, and essay
To be the thing we dream. Sudden we lack
The flash of insight, life grows drear and gray,
And hour follows hour, nerveless, slack.

[identity profile] switchercat.livejournal.com
When you came, you were like red wine and honey,
And the taste of you burnt my mouth with its sweetness.
Now you are like morning bread,
Smooth and pleasant.
I hardly taste you at all, for I know your savor;
But I am completely nourished.
[identity profile] aubschoosesjoy.livejournal.com
When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after another,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?
[identity profile] moireach.livejournal.com
Taxi
Amy Lowell

When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?
[identity profile] triccie.livejournal.com
Little cramped words scrawling all over
the paper
Like draggled fly's legs,
What can you tell of the flaring moon
Through the oak leaves?
Or of my uncertain window and the
bare floor

Spattered with moonlight?
Your silly quirks and twists have nothing
in them
Of blossoming hawthorns,
And this paper is dull, crisp, smooth,
virgin of loveliness
Beneath my hand.

I am tired, Beloved, of chafing my heart
against
The want of you;
Of squeezing it into little inkdrops,
And posting it.
And I scald alone, here, under the fire
Of the great moon.
[identity profile] a-healing-mind.livejournal.com
Little cramped words scrawling all over the paper
Like draggled fly's legs,
What can you tell of the flaring moon
Through the oak leaves?
Or of my uncurtained window and the bare floor
Spattered with moonlight?
Your silly quirks and twists have nothing in them
Of blossoming hawthorns,
And this paper is dull, crisp, smooth, virgin of loveliness
Beneath my hand.

I am tired, Beloved, of chafing my heart against
The want of you;
Of squeezing it into little inkdrops,
And posting it.
And I scald alone, here, under the fire
Of the great moon.
[identity profile] a-healing-mind.livejournal.com
When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?
[identity profile] liz-uk.livejournal.com
Poetry of Amy Lowell
A Dome of Many-coloured Glass

To a Friend

I ask but one thing of you, only one,
That always you will be my dream of you;
That never shall I wake to find untrue
All this I have believed and rested on,
Forever vanished, like a vision gone
Out into the night. Alas, how few
There are who strike in us a chord we knew
Existed, but so seldom heard its tone
We tremble at the half-forgotten sound.
The world is full of rude awakenings
And heaven-born castles shattered to the ground,
Yet still our human longing vainly clings
To a belief in beauty through all wrongs.
O stay your hand, and leave my heart its songs!

Amy Lowell

Dec. 14th, 2007 04:33 pm
[identity profile] liz-uk.livejournal.com
Seen by many to be the true 'inventor' of the 'Imagist' genre for which Ezra Pound was later given credit, Lowell was prolific. This is one of her less quoted ones which I like agreat deal.


The Basket

Amy Lowell

I

The inkstand is full of ink, and the paper lies white and unspotted, in the round of light thrown by a candle. Puffs of darkness sweep into the corners, and keep rolling through the room behind his chair. The air is silver and pearl, for the night is liquid with moonlight.

See how the roof glitters, like ice!

Over there, a slice of yellow cuts into the silver-blue, and beside it stand two geraniums, purple because the light is silver-blue, to-night.

See! She is coming, the young woman with the bright hair. She swings a basket as she walks, which she places on the sill, between the geranium stalks. He laughs, and crumples his paper as he leans forward to look. "The Basket Filled with Moonlight", what a title for a book!

The bellying clouds swing over the housetops.

He has forgotten the woman in the room with the geraniums. He is beating his brain, and in his eardrums hammers his heavy pulse. She sits on the window-sill, with the basket in her lap. And tap! She cracks a nut. And tap! Another. Tap! Tap! Tap! The shells ricochet upon the roof, and get into the gutters, and bounce over the edge and disappear.

"It is very queer," thinks Peter, "the basket was empty, I'm sure. How could nuts appear from the atmosphere?"

The silver-blue moonlight makes the geraniums purple, and the roof glitters like ice.

II

Five o'clock. The geraniums are very gay in their crimson array. The bellying clouds swing over the housetops, and over the roofs goes Peter to pay his morning's work with a holiday.

"Annette, it is I. Have you finished? Can I come?"

Peter jumps through the window.

"Dear, are you alone?"

"Look, Peter, the dome of the tabernacle is done. This gold thread is so very high, I am glad it is morning, a starry sky would have seen me bankrupt. Sit down, now tell me, is your story going well?"

The golden dome glittered in the orange of the setting sun. On the walls, at intervals, hung altar-cloths and chasubles, and copes, and stoles, and coffin palls. All stiff with rich embroidery, and stitched with so much artistry, they seemed like spun and woven gems, or flower-buds new-opened on their stems.

Annette looked at the geraniums, very red against the blue sky.

"No matter how I try, I cannot find any thread of such a red. My bleeding hearts drip stuff muddy in comparison. Heigh-ho! See my little pecking dove? I'm in love with my own temple. Only that halo's wrong. The colour's too strong, or not strong enough. I don't know. My eyes are tired. Oh, Peter, don't be so rough; it is valuable. I won't do any more. I promise. You tyrannise, Dear, that's enough. Now sit down and amuse me while I rest."

The shadows of the geraniums creep over the floor, and begin to climb the opposite wall.

Peter watches her, fluid with fatigue, floating, and drifting, and undulant in the orange glow. His senses flow towards her, where she lies supine and dreaming. Seeming drowned in a golden halo.

The pungent smell of the geraniums is hard to bear.

He pushes against her knees, and brushes his lips across her languid hands. His lips are hot and speechless. He woos her, quivering, and the room is filled with shadows, for the sun has set. But she only understands the ways of a needle through delicate stuffs, and the shock of one colour on another. She does not see that this is the same, and querulously murmurs his name.

"Peter, I don't want it. I am tired."

And he, the undesired, burns and is consumed.

There is a crescent moon on the rim of the sky.

III

"Go home, now, Peter. To-night is full moon. I must be alone."

"How soon the moon is full again! Annette, let me stay. Indeed, Dear Love, I shall not go away. My God, but you keep me starved! You write `No Entrance Here', over all the doors. Is it not strange, my Dear, that loving, yet you deny me entrance everywhere. Would marriage strike you blind, or, hating bonds as you do, why should I be denied the rights of loving if I leave you free? You want the whole of me, you pick my brains to rest you, but you give me not one heart-beat. Oh, forgive me, Sweet! I suffer in my loving, and you know it. I cannot feed my life on being a poet. Let me stay."

"As you please, poor Peter, but it will hurt me if you do. It will crush your heart and squeeze the love out."

He answered gruffly, "I know what I'm about."

"Only remember one thing from to-night. My work is taxing and I must have sight! I MUST!"

The clear moon looks in between the geraniums. On the wall, the shadow of the man is divided from the shadow of the woman by a silver thread.

They are eyes, hundreds of eyes, round like marbles! Unwinking, for there are no lids. Blue, black, gray, and hazel, and the irises are cased in the whites, and they glitter and spark under the moon. The basket is heaped with human eyes. She cracks off the whites and throws them away. They ricochet upon the roof, and get into the gutters, and bounce over the edge and disappear. But she is here, quietly sitting on the window-sill, eating human eyes.

The silver-blue moonlight makes the geraniums purple, and the roof shines like ice.

IV

How hot the sheets are! His skin is tormented with pricks, and over him sticks, and never moves, an eye. It lights the sky with blood, and drips blood. And the drops sizzle on his bare skin, and he smells them burning in, and branding his body with the name "Annette".

The blood-red sky is outside his window now. Is it blood or fire? Merciful God! Fire! And his heart wrenches and pounds "Annette!"

The lead of the roof is scorching, he ricochets, gets to the edge, bounces over and disappears.

The bellying clouds are red as they swing over the housetops.

V

The air is of silver and pearl, for the night is liquid with moonlight. How the ruin glistens, like a palace of ice! Only two black holes swallow the brilliance of the moon. Deflowered windows, sockets without sight.

A man stands before the house. He sees the silver-blue moonlight, and set in it, over his head, staring and flickering, eyes of geranium red.

Annette!

From Sword Blades and Poppy Seeds By Amy Lowell
[identity profile] glass-doll.livejournal.com
A Lady
by Amy Lowell



You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
In your eyes
Smoulder the fallen roses of out-lived minutes,
And the perfume of your soul
Is vague and suffusing,
With the pungence of sealed spice-jars.
Your half-tones delight me,
And I grow mad with gazing
At your blent colours.

My vigour is a new-minted penny,
Which I cast at your feet.
Gather it up from the dust,
That its sparkle may amuse you.
[identity profile] elemmennope.livejournal.com
I have a neighbor who sometimes sits on his balcony at night playing acoustic guitar. I have been truly moved, laying in bed in the dark as I fall asleep, listening to the soft notes drift across the warm summer air into my window.

I want to sneak over and leave an anonymous note on his door saying thank you, and just letting him know that his practicing outside is bringing me, bringing someone, joy. I thought about including a short quote or poem about guitar music or night music or something... but I just can't find the right words.

So this is a request for a poem or a section from a poem about guitars or music or listening to music at night or summer evenings or something along those lines. I've been googling and searching poem databases for the last hour or so and am not finding anything appropriate. Any suggestions?
[identity profile] gl-oriana.livejournal.com
You hate me and I hate you
And we are so polite, we two!

But whenever I see you, I burst apart
And scatter the sky with my blazing heart.
It spits and sparkles in the stars and balls,
Buds into roses – and flares, and falls.

Scarlet buttons, and pale green disks,
Silver spirals and asterisks,
Shoot and tremble in a mist
Peppered with mauve and amethyst.

I shine in the windows and light up the trees,
And all because I hate you, if you please.

And when you meet me, you rend asunder
And go up in a flaming wonder
Of saffron cubes, and crimson moons,
And wheels all amaranths and maroons.

Golden lozenges and spades
Arrows of malachites and jades,
Patens of copper, azure sheaves.
As you mount, you flash in the glossy leaves.

Such fireworks as we make, we two!
Because you hate me and I hate you.
[identity profile] redheartleaf.livejournal.com
The Poet


What instinct forces man to journey on,
Urged by a longing blind but dominant!
Nothing he sees can hold him, nothing daunt
His never failing eagerness. The sun
Setting in splendour every night has won
His vassalage; those towers flamboyant
Of airy cloudland palaces now haunt
His daylight wanderings. Forever done
With simple joys and quiet happiness
He guards the vision of the sunset sky;
Though faint with weariness he must possess
Some fragment of the sunset's majesty;
He spurns life's human friendships to profess
Life's loneliness of dreaming ecstasy.


Lowell, Amy. 1912. A Dome of Many-Coloured Glass.

Amy Lowell (1874-1925) was an American critic, lecturer, and
a leading Imagist poet. She began her writing career at the
age of 28, dedicating her life to the art. She established
her parents' estate as an American center for poetry.
Lowell became a patron of many aspiring poets, and promoted
poetry throughout the United States.

Her work was shaped by the Imagist movement, with its lush
imagery and absence of ornate language. Comparisons were
made between her work and that of H.D. (Hilda Doolittle), an
emerging Imagist poet in England. It was this observation
that prompted Amy to travel to England, where she researched
the Imagist movement. She returned to the United States
with several books of poetry by Imagist poets and a mission
to introduce the movement to American writers.

Interestingly, Ezra Pound, who was considered the father of
the Imagist movement, was so upset at Amy's involvement, he
threatened to sue her -- a threat she amusingly dismissed.
Despite Pound's repeated attempts to disparage and discredit
Lowell, she continued to experiment with her form and
technique, incorporating formal elements in some of her
later works.

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