[identity profile] girl-in-blue.livejournal.com
This was in a recent issue of the London Review of Books and I thought it was rather good.

Good Dog
Anne Carson

I was waiting for you to get to work
‘A True Account of Talking to the Sun at Fire Island’
Frank O’Hara

1 You know the second person in the history of the world
the Sun chose to speak to personally was Frank O’Hara, the
first was Orpheus [me]. You are my Sweetheart said the
Sun. He was sitting on the hood of his truck. Somehow it
was menacing. I hardly knew what to say. I got into the
truck that strange autumn light sharpening all glass and
harm my hands fell off. The Sun got in beside me took my
hands one by one blew into each finger filling it with a
kind of sound. Gave my hands back to me. That was the
beginning of my being interesting

2 I had originally an idea to record the sound of skirts
moving on legs on the runway this blank verse. She was a
model when I first of course no one runs on a runway
but the skirts the legs are like pumas. Desire she said is not
harmful til lips spill it then be careful

3 Tell you a story about the best poem I ever wrote the one I
lost. That page was terrific it slid out of a dream about the
littorals above Europe and me looking down as. As on oh
oceans I had all the answers I was an answer! I was high as
day arising and truth shot out of me like a lark. Years ago.
These are tears I do not use. I lost the page again and again
found it again and again every time I moved finally
captured it in a plastic sleeve put it on top of the TV. A
scrap of paper torn and brownish now some words just
stain. What does it mean the littorals above Europe I never
found out. I look at it fast sometimes Hoping
Read more... )
[identity profile] concinne.livejournal.com
The Glass Essay

Anne Carson


I

I can hear little clicks inside my dream.
Night drips its silver tap
down the back.
At 4 A.M. I wake. Thinking

of the man who
left in September.
His name was Law.

My face in the bathroom mirror
has white streaks down it.
I rinse the face and return to bed.
Tomorrow I am going to visit my mother.


SHE

She lives on a moor in the north.
She lives alone.
Spring opens like a blade there.
I travel all day on trains and bring a lot of books—

some for my mother, some for me
including The Collected Works Of Emily Brontë.
This is my favourite author.

Also my main fear, which I mean to confront.
Whenever I visit my mother
I feel I am turning into Emily Brontë,

my lonely life around me like a moor,
my ungainly body stumping over the mud flats with a look of transformation
that dies when I come in the kitchen door.
What meat is it, Emily, we need?



This poem is EXTREMELY long. I hardly ever love long poems. But this feels like a hundred small poems bundled into a short story. If you read it, read it like a short story. Be patient. It's strange and sharp. )
[identity profile] geosh.livejournal.com
FINALLY APRIL AND THE BIRDS ARE FALLING OUT OF THE AIR WITH JOY

by Anne Carson


April a mixed–up
blue
as voices out
of
clouds within the
deep
unleashing fresh
thing
of sky it combs
out
clear as Venus spills
aloud
behind what air up
where
the surface of her is
470
degrees and the mountains
shine
as if with snow it isn’t
snow
it’s bits of lead that storm her
atmosphere
shaped into cubes or spikes
by all
hectic radios playing at once In the Spring I Had Great Hunger.
[identity profile] jiunabug.livejournal.com
It’s good to be neuter.
I want to have meaningless legs.
There are things unbearable.
One can evade them a long time.
Then you die.

The oceans remind me
of your green room.
There are things unbearable.
Scorn, princes, this little size
of dying.

My personal poetry is a failure.
I do not want to be a person.
I want to be unbearable.
Lover to lover, the greenness of love.
Cool, cooling.

Earth bears no such plant.
Who does not end up
a female impersonator?
Drink all the sex there is.
Still die.

I tempt you.
I blush.
There are things unbearable.
Legs alas.
Legs die.

Rocking themselves down,
Crazy slow,
Some ballet term for it—
Fragment of foil, little

spin,
little drunk,
little do,
little oh,
alas.

-Anne Carson
[identity profile] eloquentice.livejournal.com
I'm looking for poems about theater and/or acting. Can anyone help me out?


And unrelated, here's a favorite poem of mine:


New Rule
by Anne Carson


A New Year's white morning of hard new ice.
High on the frozen branches I saw a squirrel jump and skid.
Is this scary? he seemed to say and glanced

down at me, clutching his branch as it bobbed
in stiff recoil – or is it just that everything sounds wrong today?
The branches

clinked.
He wiped his small cold lips with one hand.
Do you fear the same things as

I fear? I countered, looking up.
His empire of branches slid against the air.
The night of hooks?

The man blade left open on the stair?
Not enough spin on it, said my true love
when he left in our fifth year.

The squirrel bounced down a branch
and caught a peg of tears.
The way to hold on is

afterwords
so
clear.
[identity profile] acreofbones.livejournal.com

Town of Finding Out About the Love of God.

I had made a mistake
Before this day
Now my suitcase is ready
Two hardboiled eggs
For the journey are stored
On the places where
My eyes were
How could it be otherwise?
Like a current
Carrying a twig
The sobbing made me
Audible to you.

Anne Carson.

[identity profile] https://users.livejournal.com/--torevolution/
XXIV. And Kneeling at the Edge of the Transparent Sea I Shall Shape for Myself A New Heart from Salt and Mud

A wife is in the grip of being.
Easy to say Why not give up on this?
But let's suppose your husband and a certain dark woman
like to meet at a bar in early afternoon.
Love is not conditional.
Living is very conditional.
The wife positions herself in an enclosed verandah across the street.
Watches the dark woman
reach out to touch his temple as if filtering something onto it.
Watches him
bend slightly toward the woman then back. They are both serious.
Their seriousness wracks her.
People who can be serious together, it goes deep.
They have a bottle of mineral water on the table between them
and two glasses.
No inebriants necessary!
When did he develop
this puritan new taste?
A cold ship

moves out of harbor somewhere way inside the wife
and slides off toward the flat gray horizon,

not a bird not a breath in sight.


-- Anne Carson


/// Also, whenever I go to use the Poet Tags my computer always freezes, seemingly due to the massive amount of poets on a single page. Is there any way we can make it multiple pages? I'd really like to explore or look for specific poets, but it never seems to work. Thanks!
[identity profile] projectmatt.livejournal.com
God's Christ theory

God had no emotions but wished temporarily
to move in man's mind
as if He did: Christ.

Not passion but compassion.
Com- means 'with.'
What kind of witness would that be?

Translate it.
I have a friend named Jesus
from Mexico.

His father and grandfather are called Jesus too.
They account me a fool with my questions about salvation.
They say they are saving to move to Los Angeles.


American Poetry Review,  Jan 1996  by Anne Carson
[identity profile] 3butterflies.livejournal.com


So The Hall Door Shuts Again And All Noise Is Gone


In the effort to find one's way among the contents of memory
(Aristotle emphasizes)
a principal of association is helpful—
"passing rapidly from one step to the next.
For instance from milk to white,
from white to air,
from air to damp,
after which one recollectes autumn supposing one is trying to
recollect that season."
Or supposing,
fair reader,
you are trying to recollect not autumn but freedom,
a principal of freedom
the existed between two people, small and savage
as principals go—but what are the rules for this?
As he says,
folly may come into fashion.
Pass then rapidly
from one step to the next,
for instance from nipple to hard,
from hard to hotel room,
from hotel room

to a phrase found in a letter he wrote in a taxi one day he passed
his wife
walking
on the other side of the street and she did not see him, she was—
so ingenious are the arrangements of the state of flux we call
our moral history are they not almost as neat as mathematical
propositions except written on water—
on her way to the courthouse
to file papers for divorce, a phrase like
how you tasted between your legs.
After which by means of this wholly divine faculty, the "memory
of words and things,"
one recollects
freedom.
Is it I? cries the soul rushing up.
Little soul, poor vague animal:
beware this invention "always useful for learning and life"
as Aristotle say, Aristotle who
had no husband,
rarely mentions beauty
and was likely to pass rapidly from wrist to slave when trying to
recollect wife.


--Anne Carson
[identity profile] sparklestarsy.livejournal.com
(first post after a lot of lurking...)

Sappho, translated by Anne Carson


52:

I would not think to touch the sky with two arms




168B:

Moon as set
and Pleiades: middle
night, the hour goes by,
alone I lie.
[identity profile] mm511.livejournal.com

OK, so, these are two of the chapters from Autobiography of Red, a novel-in-verse by Anne Carson. It is by far my favorite example of the written word -- poetry, prose, nonfiction, anything -- and quite possibly my favorite thing -- anything! -- in the world. I've read it at least five or six times since that first fateful reading about three years ago, and it truly gets better each time. If you have any interest in poetry -- or in a good, touching story -- whatsoever, I suggest you pick this book up immediately. Also, you really ought to read these two chapters. They're a bit on the longer side, but I took the time to type them, right?, so you can take the time to read them. Heh. ;-)

To summarize, Geryon is a boy who may or may not be a monster. He's led a relatively normal childhood, with a few bumps, when suddenly he experiences a bit of change...

VII. CHANGE )



After this, Geryon and Herakles become quite close; they spend almost all their time together, and one night, Geryon realizes he has a bit of an inquisitive side...

X. SEX QUESTION )

If you're now as interested and as hooked as I think you are, the link at the start of this post will open up the amazon.com page so you can quell your burning desire to know, among other things, if Geryon ever gets his sex question answered...

[identity profile] sugarmomma.livejournal.com
"Tango II"
from THE BEAUTY OF THE HUSBAND by Anne Carson

II. BUT A DEDICATION IS ONLY FELICITOUS IF PERFORMED BEFORE WITNESSES--IT IS AN ESSENTIALLY PUBLIC SURRENDER LIKE THAT OF STANDARDS OF BATTLE

You know I was married years ago and when he left my husband took my notebooks.
Wirebound notebooks.
You know that cool sly verb write. He liked writing, disliked having to start
each thought himself.
Used my starts to various ends, for example in a pocket I found a letter he'd begun
(to his mistress at that time)
containing a phrase I had copied from Homer: ... is how Homer says
Andromache went
after she parted from Hektor--"often turning to look back"
she went
down from Troy's tower and through stone streets to her loyal husband's
house and there
with her women raised a lament for a living man in his own halls.
Loyal to nothing
my husband. So why did I love him from early girlhood to late middle age
and the divorce decree came in the mail?
Beauty. No great secret. Not ashamed to say I loved him for his beauty.
As I would again
if he came near. Beauty convinces. You know beauty makes sex possible.
Beauty makes sex sex.
You if anyone grasp this--hush, let's pass

to natural situations.Remainder of Tango II )
[identity profile] upendedurn.livejournal.com
Franz Kafka was Jewish. He had a sister, Ottla, Jewish. Ottla married a jurist, Josef David, not Jewish. When the Nuremburg Laws were introduced to Bohemia-Moravia in 1942, quiet Ottla suggested to Josef David that they divorce. He at first refused. She spoke about sleep shapes and property and their two daughters and a rational approach. She did not mention, because she did not yet know the word, Auschwitz, where she would die in October 1943. After putting the apartment in order she packed a rucksack and was given a good shoeshine by Josef David. He applied a coat of grease. Now they are waterproof, he said.
[identity profile] penguinboy.livejournal.com
from "Irony Is Not Enough: Essay On My Life as Catherine Deneuve (2nd draft)"

saison qui chante saison rapide


je commence
Beginnings are hard. Sappho put it simply. Speaking of a young girl Sappho said, You burn me. Deneuve usually begins with herself and a girl together in a hotel room. This is mental. Meanwhile the body persists. Sweater buttoned almost to the neck, she sits at the head of the seminar table expounding aspects of Athenian monetary reform. It was Solon who introduced into Athens a coinage which had a forced currency. Citizens had to accept issues called drachmas, didrachmas, obols, etc. although these did not contain silver of that value. Token coinages. Money that lies about itself. Seminar students are writing everything down carefully, one is asleep, Deneuve continues to talk about money and surfaces. Little blues, little whites, little hotel taffetas. This is mental. Bell rings to mark the end of class. He has a foreskin but for fear of wearing it out he uses another man's when he copulates, is what Solon's enemies liked to say of him, Deneuve concludes. Fiscal metaphor. She buttons her top button and the seminar is over.

Jours
If you asked her Deneuve would say Take these days away and pour them out on the ground in another country.

Parts
Seminar meets MonWedFri. Parts of time fall on her and snow wanders slowly through the other afternoons. Deneuve sits in her office looking at the word irony on a page. Half-burnt. You have to wonder. Sappho, Sokrates, is it all mental? These people seem bathed in goodness, yet here come the beautiful dangerous white rapids beating onto them. Knife of boy. Knife of girl. Knife of the little knower. Where is the ironic work that picks threads back from that surface into another design underneath, holding rapids in place? Evening fills the room. Deneuve buttons her coat and closes the office door behind her. Staircase is dim and filthy, small dirty deposits on each step. She heads for the Metro. What would Sokrates say. Name the parts. Define each name. Deneuve is turning names and parts over in her mind when she realizes she has ridden the train four stops in the wrong direction. Climbs back up from the platform, stairs are filthy here too, must be a punishment. Hip slams hard into the metal arm of the turnstile. Red sign pasted on it says NO EXIT. Sound is far away. All around her strange lamps burn brightly and human tongues press the night.

Weekends
Weekends are long and white. Snow drifts against the door. Distant threads from the piano downstairs. Deneuve washes her glassware. Dries it. Hours slide. In the hotel room it is dusk, a girl turns, I have to confess something. This is mental. Two parallel red lines of different lengths inch forward, not touching.

by Anne Carson

March 2025

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