[identity profile] gamesiplay.livejournal.com
The Heavy Bear Who Goes With Me
by Delmore Schwartz

"the withness of the body"

The heavy bear who goes with me,
A manifold honey to smear his face,
Clumsy and lumbering here and there,
The central ton of every place,
The hungry beating brutish one
In love with candy, anger, and sleep,
Crazy factotum, disheveling all,
Climbs the building, kicks the football,
Boxes his brother in the hate-ridden city.

Breathing at my side, that heavy animal,
That heavy bear who sleeps with me,
Howls in his sleep for a world of sugar,
A sweetness intimate as the water’s clasp,
Howls in his sleep because the tight-rope
Trembles and shows the darkness beneath.
—The strutting show-off is terrified,
Dressed in his dress-suit, bulging his pants,
Trembles to think that his quivering meat
Must finally wince to nothing at all.

That inescapable animal walks with me,
Has followed me since the black womb held,
Moves where I move, distorting my gesture,
A caricature, a swollen shadow,
A stupid clown of the spirit’s motive,
Perplexes and affronts with his own darkness,
The secret life of belly and bone,
Opaque, too near, my private, yet unknown,
Stretches to embrace the very dear
With whom I would walk without him near,
Touches her grossly, although a word
Would bare my heart and make me clear,
Stumbles, flounders, and strives to be fed
Dragging me with him in his mouthing care,
Amid the hundred million of his kind,
The scrimmage of appetite everywhere.
[identity profile] bleodswean.livejournal.com
Dogs are Shakespearean, children are strangers.
Let Freud and Wordsworth discuss the child,
Angels and Platonists shall judge the dog,
The running dog, who paused, distending nostrils,
Then barked and wailed; the boy who pinched his sister, 
The little girl who sang the song from Twelfth Night, 
As if she understood the wind and rain,
The dog who moaned, hearing the violins in concert. 
—O I am sad when I see dogs or children!
For they are strangers, they are Shakespearean.

Tell us, Freud, can it be that lovely children 
Have merely ugly dreams of natural functions? 
And you, too, Wordsworth, are children truly 
Clouded with glory, learned in dark Nature? 
The dog in humble inquiry along the ground, 
The child who credits dreams and fears the dark, 
Know more and less than you: they know full well 
Nor dream nor childhood answer questions well: 
You too are strangers, children are Shakespearean.

Regard the child, regard the animal, 
Welcome strangers, but study daily things, 
Knowing that heaven and hell surround us, 
But this, this which we say before we’re sorry, 
This which we live behind our unseen faces, 
Is neither dream, nor childhood, neither 
Myth, nor landscape, final, nor finished, 
For we are incomplete and know no future, 
And we are howling or dancing out our souls 
In beating syllables before the curtain: 
We are Shakespearean, we are strangers.
[identity profile] shaluvk.livejournal.com
would you agree that joyce's prose is as good as poetry?

…and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down Jo me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

(Ulysses, Molly Bloom's soliloquy)

and now for the poem... )
[identity profile] lunar-endeavor.livejournal.com
Some who are uncertain compel me. They fear
The Ace of Spades. They fear
Loves offered suddenly, turning from the mantelpiece,
Sweet with decision. And they distrust
The fireworks by the lakeside, first the spuft,
Then the colored lights, rising.
Tentative, hesitant, doubtful, they consume
Greedily Caesar at the prow returning,
Locked in the stone of his act and office.
While the brass band brightly bursts over the water
They stand in the crowd lining the shore
Aware of the water beneath Him. They know it. Their eyes
Are haunted by water

Disturb me, compel me. It is not true
That "no man is happy," but that is not
The sense which guides you. If we are
Unfinished (we are, unless hope is a bad dream),
You are exact. You tug my sleeve
Before I speak, with a shadow's friendship,
And I remember that we who move
Are moved by clouds that darken midnight.

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