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[personal profile] med_cat
To A Waterfowl

Women with hats like the rear ends of pink ducks
applauded you, my poems.
These are the women whose husbands I meet on airplanes,
who close their briefcases and ask, “What are you in?”
I look in their eyes, I tell them I am in poetry,

and their eyes fill with anxiety, and with little tears.
“Oh, yeah?” they say, developing an interest in clouds.
“My wife, she likes that sort of thing? Hah-hah?
I guess maybe I’d better watch my grammar, huh?”
I leave them in airports, watching their grammar,

and take a limousine to the Women’s Goodness Club
where I drink Harvey’s Bristol Cream with their wives,
and eat chicken salad with capers, with little tomato wedges
and I read them “The Erotic Crocodile,” and “Eating You.”
Ah, when I have concluded the disbursement of sonorities,

crooning, “High on thy thigh I cry, Hi!”—and so forth—
they spank their wide hands, they smile like Jell-O,
and they say, “Hah-hah? My goodness, Mr. Hall,
but you certainly do have an imagination, huh?”
“Thank you, indeed,” I say; “it brings in the bacon.”

But now, my poems, now I have returned to the motel,
returned to l’eternel retour of the Holiday Inn,
naked, lying on the bed, watching Godzilla Sucks Mount Fuji,
addressing my poems, feeling superior, and drinking bourbon
from a flask disguised to look like a transistor radio.

And what about you? You, laughing? You, in the bluejeans,
laughing at your mother who wears hats, and at your father
who rides airplanes with a briefcase watching his grammar?
Will you ever be old and dumb, like your creepy parents?
Not you, not you, not you, not you, not you, not you.

--Donald Hall

(copied from HappoPoemMouse blog, where you can also find some insightful commentary on the title and other allusions in this poem)
[identity profile] switchercat.livejournal.com
I still don't quite know how I feel about this poem, but it's been stuck in my head ever since I read it in 2005 or so, and pieces of it (especially the "I reject" segments) keep springing to my mind on and off.

*

I will strike down wooden houses; I will burn aluminum
clapboard skin; I will strike down garages
where crimson Toyotas sleep side by side; I will explode
palaces of gold, silver, and alabaster:—the summer
great house and its folly together. Where shopping malls
spread plywood and plaster out, and roadhouses
serve steak and potatoskins beside Alaska King Crab;
where triangular flags proclaim tribes of identical campers;
where airplanes nose to tail exhale kerosene,
weeds and ashes will drowse in continual twilight.

I reject the old houses and the new car; I reject )
[identity profile] iatrogenicmyth.livejournal.com
when my father had been dead a week
I woke
with his voice in my ear
I sat up in bed
and held my breath
and stared at the pale closed door

white apples and the taste of stone

if he called again
I would put on my coat and galoshes
[identity profile] moireach.livejournal.com
The Impossible Marriage
Donald Hall

The bride disappears. After twenty minutes of searching
we discover her in the cellar, vanishing against a pillar
in her white gown and her skin’s original pallor.
When we guide her back to the altar, we find the groom
in his slouch hat, open shirt, and untended beard
withdrawn to the belltower with the healthy young sexton
from whose comradeship we detach him with difficulty.
Oh, never in all the cathedrals and academies
of compulsory Democracy and free-thinking Calvinism
will these poets marry! — O pale, passionate
anchoret of Amherst! O reticent kosmos of Brooklyn!
[identity profile] epiclevelregina.livejournal.com
All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon's heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun's muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground - old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
[identity profile] geosh.livejournal.com
Camilla, Never Ask

Camilla, never ask when it will happen, for we'll never know
how it comes or when. Leave divination to Julia, our friend
who orders predestination from catalogues of remaindered
theologies. Let us determine to take what comes, hot or cold,
whether we stay alive into old age or drop dead next Tuesday,
which is doubtless as good a day as any. Tonight let us fill
our wineglasses without fretting about the future, which only
sours the Beaujolais. Foreget tomorrow's blueberries; eat today's.


--Donald Hall

Safe Sex

Oct. 7th, 2006 01:02 am
[identity profile] sombrero-queen.livejournal.com
by Donald Hall

If he and she do not know each other, and feel confident
they will not meet again; if he avoids affectionate words;

if she has grown insensible skin under skin; if they desire
only the tribute of another’s cry; if they employ each other

as revenge on old lovers or families of entitlement and steel—
then there will be no betrayals, no letters returned unread,

no frenzy, no hurled words of permanent humiliation,
no trembling days, no vomit at midnight, no repeated

apparition of a body floating face-down at the pond’s edge
[identity profile] moireach.livejournal.com
Mr. Eliot
Donald Hall

           Mr. Eliot at sixty-
three--Nobel Laureate and Czar--
           kindly suggested
that I drop by his office at Faber's
           in London on my way
to Oxford. In dazed preparation,
           I daydreamed agendas
for our conversation. At his desk,
           the old poet spoke
quietly of "the poetic drama,"
           and "our literary
generations," as if I had one.
           After an hour, he scraped
his chair back. I leapt up, and he leaned
           in the doorway
to improvise a parting word. "Let me see,"
           he said. "Forty years
ago I went from Harvard to Oxford,
           now you from Harvard
to Oxford. What advice may I give you?"
           He paused the precise
comedian's millisecond as I
           reflected on the moment,
and then with his exact lilting
           English melody inquired:
"Have you any long underwear?"


I'd love to read some of Hall's baseball poetry, if anyone feels like posting any!
[identity profile] questing-heart.livejournal.com
A Poet at Twenty
 
 
      Images leap with him from branch to branch. His eyes
brighten, his head cocks, he pauses under a green bough,
alert.
    And when I see him I want to hide him somewhere.
    The other wood is past the hill. But he will enter it, and find the particular maple. He will walk through the door of the maple, and his arms will pull out of their sockets, and the blood will bubble from his mouth, his ears, his penis, and his nostrils. His body will rot. His body will dry in ropey tatters. Maybe he will grow his body again, three years later. Maybe he won't.
    There is nothing to do, to keep this from happening.
    It occurs to me that the greatest gentleness would put a bullet into his bright eye. And when I look in his eye, it is not his eye that I see.

Donald Hall

[identity profile] moireach.livejournal.com
White Apples
Donald Hall

when my father had been dead a week
I woke
with his voice in my ear
			I sat up in bed

and held my breath
and stared at the pale closed door

white apples and the taste of stone

if he called again
I would put on my coat and galoshes


[I saw Donald Hall read last night and he was funny and charming. He said he thinks this poem works because of the "st" sound at the end of taste and beginning of stone: "That's what lifts a poem, makes it get off the ground a little."]
[identity profile] persephone-blue.livejournal.com
My mother said, "Of course,
it may be nothing, but your father
has a spot on his lung."
That was all that was said: My father
at fifty-one could never
speak of dreadful things without tears.
When I started home,
I kissed his cheek, which was not our habit.
In a letter, my mother
asked me not to kiss him again
because it made him sad.
In two weeks, the exploratory
revealed and inoperable
lesion.
The doctors never
told him; he never asked,
but read The Home Medical Guidebook.
Seven months later,
just after his fifty-second birthday
- his eyesight going,
his voice reduced to a whisper, three days
before he died - he said,
"If anything should happen to me..."
[identity profile] persephone-blue.livejournal.com
Her Long Illness

Daybreak until nightfall,
he sat by his wife at the hospital
while chemotherapy dripped
through the catheter into her heart.
He drank coffee and read
the Globe. He paced; he worked
on poems; he rubbed her back
and read aloud. Overcome with dread,
they wept and affirmed
their love for each other, witlessly,
over and over again.
When it snowed one morning Jane gazed
at the darkness blurred
with flakes. They pushed the IV pump
which she called Igor
slowly past the nurses' pods, as far
as the outside door
so that she could smell the snowy air.
[identity profile] upendedurn.livejournal.com
Women with hats like the rear ends of pink ducks
applauded you, my poems.
These are the women whose husbands I meet on airplanes,
who close their briefcases and ask, "What are you in?"
I look in their eyes, I tell them I am in poetry,

and their eyes fill with anxiety, and with little tears.
"Oh, yeah?" they say, developing an interest in clouds.
"My wife, she likes that sort of thing? Hah-hah?
I guess maybe I'd better watch my grammar, huh?"
I leave them in airports, watching their grammar,

and take a limousine to the Women's Goodness Club
where I drink Harvey's Bristol Cream with their wives,
and eat chicken salad with capers, with little tomato wedges,
and I read them "The Erotic Crocodile," and "Eating You."
Ah, when I have concluded the disbursement of sonorities,

crooning, "High on thy thigh I cry, Hi!" - and so forth -
they spank their wide hands, they smile like Jell-O,
and they say, "Hah-hah? My goodness, Mr. Hall,
but you certainly do have an imagination, huh?"
"Thank you, indeed," I say; "it brings in the bacon."

But now, my poems, now I have returned to the motel,
returned to l'eternel retour of the Holiday Inn,
naked, lying on the bed, watching Godzilla Sucks Mt. Fuji,
addressing my poems, feeling superior, and drinking bourbon
from a flask disguised to look like a transistor radio.

And what about you? You, laughing? You, in the bluejeans,
laughing at your mother who wears hats, and at your father
who rides on airplanes with a briefcase watching his grammar?
Will you ever be old and dumb, like your creepy parents?
Not you, not you, not you, not you, not you, not you.
[identity profile] ex-thylacine403.livejournal.com
All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in the meadow and hayfield,
the mowing machine
clacketing beside, while the sun walked high in the morning;
and after noon's heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
of a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.


When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you
every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,
and lay the shotgun's muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground make your monument.

For a hundred and fifty years, in the pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground--old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.

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