[identity profile] duathir.livejournal.com
Impressions

He's something in the city. Who shall say
His fortune was not honorably won?
Few people can afford to give away
As he, or help the poor as he has done.

Neat in his habits, temperate in his life:
Oh, who shall dare his character besmirch?
He scarcely ever quarrels with his wife,
And every Sabbath strictly goes to church.

He helps the village club, and in the town
Attends parochial meetings once a week,
Pays for each purchase ready-money down:
Is anyone against him?—Who will speak?

There is a widow somewhere in the north,
On whom slow ruin gradually fell,
While she, believing that her God was wroth,
Suffered without a word—or she might tell.

And there’s a beggar somewhere in the west,
Whose fortune vanished gradually away:
Now he but drags his limbs in horror lest
Starvation feed on them—or he might say.

And there are children stricken with disease,
Too ignorant to curse him, or too weak.
In a true portrait of him all of these
Must figure in the background—they shall speak.

By Harold Monro
[identity profile] duathir.livejournal.com
Milk For The Cat

When the tea is brought at five o'clock,
And all the neat curtains are drawn with care,
The little black cat with bright green eyes
Is suddenly purring there.

At first she pretends, having nothing to do,
She has come in merely to blink by the grate,
But, though tea may be late or the milk may be sour,
She is never late.

And presently her agate eyes
Take a soft large milky haze,
And her independent casual glance
Becomes a stiff, hard gaze.

Then she stamps her claws or lifts her ears,
Or twists her tail and begins to stir,
Till suddenly all her lithe body becomes
One breathing, trembling purr.

The children eat and wriggle and laugh;
The two old ladies stroke their silk:
But the cat is grown small and thin with desire,
Transformed to a creeping lust for milk.

The white saucer like some full moon descends )

by Harold Monro
[identity profile] duathir.livejournal.com
Children of Love

The holy boy
Went from his mother out in the cool of the day
Over the sun-parched fields
And in among the olives shining green and shining grey.

There was no sound,
No smallest voice of any shivering stream.
Poor sinless little boy,
He desired to play and to sing; he could only sigh and dream.

Suddenly came
Running along to him naked, with curly hair,
That rogue of the lovely world,
That other beautiful child whom the virgin Venus bare.

The holy boy
Gazed with those sad blue eyes that all men know.
Impudent Cupid stood
Panting, holding an arrow and pointing his bow.

(Will you not play?
Jesus, run to him, run to him, swift for our joy.
Is he not holy, like you?
Are you afraid of his arrows, O beautiful dreaming boy?)

And now they stand )

By Harold Monro
[identity profile] elenbarathi.livejournal.com
Overheard on a Saltmarsh

Nymph, nymph, what are your beads?

Green glass, goblin. Why do you stare at them?

Give them me.
No.

Give them me. Give them me.
No.

Then I will howl all night in the reeds,
Lie in the mud and howl for them.

Goblin, why do you love them so?

They are better than stars or water,
Better than voices of winds that sing,
Better than any man's fair daughter,
Your green glass beads on a silver ring.

Hush, I stole them out of the moon.

Give me your beads, I want them.
No.

I will howl in the deep lagoon
For your green glass beads, I love them so.
Give them me. Give them.
No.

~By Harold Monro
[identity profile] elenbarathi.livejournal.com

Milk For The Cat

When the tea is brought at five o'clock,
And all the neat curtains are drawn with care,
The little black cat with bright green eyes
Is suddenly purring there.

At first she pretends, having nothing to do,
She has come in merely to blink by the grate,
But, though tea may be late or the milk may be sour,
She is never late.

And presently her agate eyes
Take a soft large milky haze,
And her independent casual glance
Becomes a stiff, hard gaze.

Then she stamps her claws or lifts her ears,
Or twists her tail and begins to stir,
Till suddenly all her lithe body becomes
One breathing, trembling purr.

The children eat and wriggle and laugh;
The two old ladies stroke their silk:
But the cat is grown small and thin with desire,
Transformed to a creeping lust for milk.

The white saucer like some full moon descends
At last from the clouds of the table above;
She sighs and dreams and thrills and glows,
Transfigured with love.

She nestles over the shining rim,
Buries her chin in the creamy sea;
Her tail hangs loose; each drowsy paw
Is doubled under each bending knee.

A long, dim ecstasy holds her life;
Her world is an infinite shapeless white,
Till her tongue has curled the last holy drop,
Then she sinks back into the night,

Draws and dips her body to heap
Her sleepy nerves in the great arm-chair,
Lies defeated and buried deep
Three or four hours unconscious there.

~by Harold Monro

[identity profile] elenbarathi.livejournal.com
Overheard on a Saltmarsh

Nymph, nymph, what are your beads?

Green glass, goblin. Why do you stare at them?

Give them me.
No.

Give them me. Give them me.
No.

Then I will howl all night in the reeds,
Lie in the mud and howl for them.

Goblin, why do you love them so?

They are better than stars or water,
Better than voices of winds that sing,
Better than any man's fair daughter,
Your green glass beads on a silver ring.

Hush, I stole them out of the moon.

Give me your beads, I want them.
No.

I will howl in the deep lagoon
For your green glass beads, I love them so.
Give them me. Give them.
No.

~By Harold Monro

March 2025

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