[identity profile] duathir.livejournal.com
Deirdre

Do not let any woman read this verse;
It is for men, and after them their sons
And their sons' sons.

The time comes when our hearts sink utterly;
When we remember Deirdre and her tale,
And that her lips are dust.

Once she did tread the earth: men took her hand;
They looked into her eyes and said their say,
And she replied to them.

More than a thousand years it is since she
Was beautiful: she trod the waving grass;
She saw the clouds.

A thousand years! The grass is stil the same,
The clouds as lovely as they were that time
When Deirdre was alive.

But there has never been a woman born
Who was so beautiful, not one so beautiful
Of all the women born.

Let all men go apart and mourn together;
No man can ever love her; not a man
Can ever be her lover.

No man can bend before her: no man say --
What could one say to her? There are no words
That one could say to her!

Now she is but a story that is told
Beside the fire! No man can ever be
The friend of that poor queen.

By James Stephens
[identity profile] duathir.livejournal.com
The Shell

And then I pressed the shell
Close to my ear
And listened well,
And straightway like a bell
Came low and clear
The slow, sad murmur of the distant seas,
Whipped by an icy breeze
Upon a shore
Wind-swept and desolate.
It was a sunless strand that never bore
The footprint of a man,
Nor felt the weight
Since time began
Of any human quality or stir
Save what the dreary winds and waves incur.
And in the hush of waters was the sound
Of pebbles rolling round,
For ever rolling with a hollow sound.
And bubbling sea-weeds as the waters go
Swish to and fro
Their long, cold tentacles of slimy grey.
There was no day,
Nor ever came a night
Setting the stars alight
To wonder at the moon:
Was twilight only and the frightened croon,
Smitten to whimpers, of the dreary wind
And waves that journeyed blind—
And then I loosed my ear ... O, it was sweet
To hear a cart go jolting down the street.

By James Stephens
[identity profile] duathir.livejournal.com
The Shell

And then I pressed the shell
Close to my ear
And listened well,
And straightway like a bell
Came low and clear
The slow, sad murmur of the distant seas,
Whipped by an icy breeze
Upon a shore
Wind-swept and desolate.
It was a sunless strand that never bore
The footprint of a man,
Nor felt the weight
Since time began
Of any human quality or stir
Save what the dreary winds and waves incur.
And in the hush of waters was the sound
Of pebbles rolling round,
For ever rolling with a hollow sound.
And bubbling sea-weeds as the waters go
Swish to and fro
Their long, cold tentacles of slimy grey.
There was no day,
Nor ever came a night
Setting the stars alight
To wonder at the moon:
Was twilight only and the frightened croon,
Smitten to whimpers, of the dreary wind
And waves that journeyed blind—
And then I loosed my ear ... O, it was sweet
To hear a cart go jolting down the street.

By James Stephens
[identity profile] twentyfivepast.livejournal.com
I just got my copy of the new Swell Season album, Strict Joy, and they printed the James Stephens poem they took the title from in the liner notes. I kind of love it.

Strict Care, Strict Joy
James Stephens

To-day I felt as poor O'Brien did
When, turning from all else that was not his,
He took himself to that which was his own
-- He took him to his verse -- for all other had he not,
And (tho' man will crave and seek)
Another all than this he did not need

So, pen in hand he tried to tell the whole tale of his woe
In rhyming; lodge the full weight of his grief in versing and so did:
Then -- when his poem had been conned and cared,
And all put in that should not be left out -- did he not find and with astonishment,

That grief had been translated, or was come
Other and better than it first looked to be:
And that this happened, because all things transfer
From what they seem to what they truly are
When they are innocently brooded on
-- And, so, the poet makes grief beauti-ful

"Behold me now, with my back to the wall,
Playing music to empty pockets!"
So, Raferty, tuning a blind man's plight,
Could sing the cark of misery away:
And know, in blindness and in poverty,
That woe was not of him, nor kind to him.

And Egan Rahilly beings a verse --
"My heart is broken, and my mind is sad..."
'Twas surely true when he began his song,
And was less true when he had finished it:
-- Be sure, his heart was buoyant, and his grief
Drummed and trumpeted as grief was sung!

For, as he meditated misery
And cared it into song -- Strict Care, Strict Joy!
caring for grief he cared his grief away:
And those sad songs, tho' woe be all the theme,
Do not make us grieve who read them now --
Because the poet makes grief beautiful.

And I, myself, conning a lonely heart
-- Full lonely 'twas, and 'tis as lonely now
Turned me, by proper, to my natural,
And, now too long her vagrant, wooed my muse:
Then to her -- let us look more close to these,
And, seeing, know; and, knowing, be at ease.

Seeing the sky o'ercast, and that the rain had
Plashed the window, and would plash again:
Seeing the summer lost, and the winter night:
Seeing inapt, and sad, and fallen from good:
Seeing how will was weak, and wish o'erbearing:
Seeing inconstant, seeing timidity:
Seeing too small, too poor in this and you:
Seeing life, daily, grow more difficult:
Seeing all that moves away -- moving away
...And that all seeing is a blind-man's treat,
And that all getting is a beggar's dole,
And that all having is bankruptcy...

All these, sad all! I told to my good friend,
Told Raferty, O'Brien, Rahilly,
Told rain, and frosted blossom, and the summer gone,
Told poets dead, and captains dead, and kings!
-- And we cared naught that these were mournful things,
For, caring them, we made them beautiful.

March 2025

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