[identity profile] seamusd.livejournal.com
Jon Anderson

The Parachutist

Then the air was perfect. And his descent
to the white earth slowed.
                              Falling
became an ability to rest--as

the released breath
believes in life. Further down it snowed,

a confusion of slow novas
which his shoes touched upon, which seemed
as he fell by

to be rising. From every
small college and rural town:
     the clearest, iced blossoms of thought,

but gentle.
               Then the housetops
of friends, who
he thought had been speaking of his arrival,
withdrew, each from another.

He saw that his friends
lived in a solitude they had not ever said aloud.

Strangely he thought this good.

          The world, in fact,
which in these moments he came toward,

seemed casual.
Had he been thinking this all along?

     A life
where he belonged, having lived with himself

always, as a secret friend.

A few may have seen him then. In evidence:
the stopped dots
of children & dogs, sudden weave

          of a car--
acquaintances, circling up
into the adventure they imagined. They saw him drop

through the line breaks
and preciousness of art

down to the lake
which openly awaited him.
               Here the thin
  green ice allowed him in.

Some ran, and were late.
These would
forever imagine tragedy

(endless descent,
his face floating among the reeds,
unrecognized), as those

who imagine the silence of a guest
to be mysterious, or wrong.
[identity profile] seamusd.livejournal.com
Jon Anderson

The Secret of Poetry

When I was lonely, I thought of death.
When I thought of death I was lonely.

I suppose this error will continue.
I shall enter each gray morning

Delighted by frost, which is death,
& the trees that stand alone in mist.


When I met my wife I was lonely.
Our child in her body is lonely.

I suppose this error will go on & on.
Mornings I kiss my wife's cold lips,

Nights her body dripping with mist.
This is the error that fascinates.


I suppose you are secretly lonely,
Thinking of death, thinking of love.

I'd like, please, to leave on your sill
Just one cold flower, whose beauty

Would leave you inconsolable all day.
The secret of poetry is cruelty.

(from The Milky Way: Poems 1967 - 1982, New York: Ecco Press, 1982)
[identity profile] penguinboy.livejournal.com
Listen, Leo

Listen, Leo, remember the lifeboat
we pilfered from what you said
was an abandoned garage sale,

1442 Columbus, not the explorer,
the street? Last night I came to,
retired to the basement to ponder

my position on circumspection,
the fate of the cruel & unusual,
& drink until I passed out.

I had my underwear on & my .45.
I was planning to feast on that bag
of Chicken Shack backs & beaks

we got at the place that went broke,
put my legs up on a six-pack & drift.
Anyway, this eerie glow started

emanating from the sewage pool,
mostly greenish. It winked
so I shot it, Leo, I've had enough!

Then this long low lump along
the wall near the bulkhead
started toward me, so slow

I had time to think. Went
to the attic & came back down
bearing Mr. Double-Aught.

Leo, I perforated the lifeboat.
It has become a dead one,
incapable, now, of surfacing

above its circumstance.
We can never return to it now.
It's gone. Gone like the snow.

Gone like I got a little behind.
It's a sad world, Leo, we fell,
like yesterday's laundry

into the tub, let's face a fact.
There's nobody left like us.
I got a weathered pate, you

got a ticket to Nova Scotia &
I'm swimming beside the boat.
When we gotta die, we're gone.

Leo, I confess, I adore your face.
Give me a little papa kiss.
Give me a muscle up. Leo,

there's nobody left like us.

by Jon Anderson

March 2025

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