[identity profile] aimlesswanderer.livejournal.com







Twenty-Pound Stone
by Nick Flynn

It nests in the hollow of my pelvis, I carry it with both hands, as if
          offering my stomach, as if it were pulling me forward.

At night the sun leaks from it, it turns cold, I sleep with it
          beside my head, I breath for it.

Sometimes I dream of hammers.

I am hammering it back into sand, the sand we melt into glass,
          the glass we blow into bottles.

This stone is fifteen green bottles with nothing inside.

It never bleeds, it never heals, it is a soup can left on the back shelf,
          the label worn off.

It is the corner of a house, the beginning of a wall.

At night it changes shape, it lies on one side, casting jagged shadows.

It brightens where my tongue touches it.

Richard's eyes were this color, a pale fruit, honeydew.

When I swing it over my head I swear it could lift me.

If I jump from a bridge it would drag me down, the current couldn't
          carry us, it has no lungs, no pockets of air.

If I could walk it to the center of a frozen pond & leave it,
          in the spring it would be gone.
[identity profile] aimlesswanderer.livejournal.com







Elsewhere, Mon Amour
by Nick Flynn
 
Leaning from the platform, waiting for a glimmer
to braid the rails

the eyes of the action hero cut from the poster

all that concrete pressing down

A fine edge gleams around your body
as if it could be contained

The way each finger is licked, dipped in &
rubbed across the gums

until the teeth go away
Even my hands kiss you

A night broken down into grains

If you find yourself lost, dig

a cave in the snow, quickly
you need shelter against the night

A candle could keep you alive
the engine of your lungs

will heat the air around you, someone will
miss you, they will send out dogs

You must be somewhere, right?

 
[identity profile] femmedelettres.livejournal.com
Alan Dugan Telling Me I Have A Problem With Time | Nick Flynn

He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,
the voice of Mission Control
told a man named Buzz
that there was a bunch of guys turning blue
down here on Earth, and now I can understand
it was with anticipation, not sickness. Next,
Dugan says, Let's move on. The attempted poem
was about butterflies and my recurring desire
to return to a place I've never been.
It was inspired by reading this
in a National Geographic: monarchs
stream northward from winter roosts in Mexico,
laying their eggs atop milkweed
to foster new generations along the way.
With the old monarchs gone (I took this line as the title)
and all ties to the past ostensibly cut
the unimaginable happens-- butterflies
that have never been to that plateau in Mexico
roost there the next winter. I saw this
as a metaphor for a childhood I never had,
until Dugan pointed out
that metaphor has been dead for a hundred years.
A woman, new to the workshop, leans
behind his back and whispers, I like it,
but the silence is seamless, as deep
as outer space. That night in 1969
I could turn my head from the television and see
the moon
filling the one pane over the bed completely
as we waited for Neil Armstrong
to leave his footprints all over it.

*
and now for my unrelated request... )
[identity profile] aimlesswanderer.livejournal.com







Emptying Town

by Nick Flynn

I want to erase your footprints
from my walls. Each pillow
is thick with your reasons. Omens

fill the sidewalk below my window: a woman
in a party hat, clinging
to a tin-foil balloon. Shadows

creep slowly across the tar, someone yells, "Stop!"
and I close my eyes. I can't watch

as this town slowly empties, leaving me
strung between bon-voyages, like so many clothes
on a line, the white handkerchief

stuck in my throat. You know the way Jesus

rips open his shirt
to show us his heart, all flaming and thorny,
the way he points to it. I'm afraid

the way I'll miss you will be this obvious.

I have a friend who everyone warns me
is dangerous, he hides
bloody images of Jesus
around my house, for me to find

when I come home; Jesus
behind the cupboard door, Jesus tucked

into the mirror. He wants to save me
but we disagree from what. My version of hell
is someone ripping open his shirt

and saying, Look what I did for you...
[identity profile] aimlesswanderer.livejournal.com







Worthless
by Nick Flynn

My fingers
cling to your shoulder blades now
until fucking becomes
an urging, a way to shake you, gently. How

can I tell you I don't feel
safe, when inside
a man holds bars before his face

believing himself into a prison,
when parrots fly from his open mouth
as he tries to speak, repeating worthless,

worthless
? I'm trying to love you

but I don't know how, & then
I start to remember—we are locked together
& pushing, pushing.

gun poetry

Aug. 28th, 2009 11:45 am
tree: a figure clothed in or emerging from bark (Default)
[personal profile] tree
alas, i have a request. i'm looking for poems about guns, that mention guns or are thematically related to guns in some way--not so much shooting as the gun itself. i have, of course, emily dickinson's "my life had stood--a loaded gun," "hands on a gun" by rochelle mass, "the gun" by vicki feaver, seamus heaney's "digging," and dorothy parker's "resume." (also the following poem.) anything else would be appreciated greatly.

My Mother Contemplating Her Gun
Nick Flynn

One boyfriend said to keep the bullets

locked in a different room.

                                    Another urged

            clean it

or it could explode. Larry

thought I should keep it loaded

under my bed,

                     you never know.

            I bought it

when I didn’t feel safe. The barrel

                         is oily,

             reflective, the steel

pure, pulled from a hole

                      in West Virginia. It

could have been cast into anything, nails

along the carpenter’s lip, the ladder

to balance the train. Look at this, one

                        bullet,

                        how almost nothing it is—

             saltpeter   sulphur   lead   Hell

burns sulphur, a smell like this.

                        safety & hammer, barrel & grip

             I don’t know what I believe.

I remember the woods behind my father’s house

          horses beside the quarry

stolen cars lost in the deepest wells,

the water below

            an ink waiting to fill me.

                      Outside a towel hangs from a cold line

            a sheet of iron in the sky

            roses painted on it, blue roses.

Tomorrow it will still be there.
[identity profile] redcliches.livejournal.com
Hover
the imagined center, our tongues
grew long to please it, licking

the walls, a chamber built of scent,

a moment followed by a lesser moment
& a hunger to return. It couldn't last. Resin

flowed glacially from wounds in the bark
pinned us in our entering
as the orchids opened wider. First,

liquid, so we swam until we couldn't.
Then it felt like sleep, the taste of nectar

still inside us. Sometimes a flower

became submerged with us. A million years
went by. A hundred. Swarm of hoverflies,
cockroach, assassin bug, all

trapped, suspended

in that moment of fullness,
a Pompeii, the mother

covering her child's head forever.
[identity profile] grammarfight.livejournal.com
Worthless



My fingers
cling to your shoulder blades now
until fucking becomes
an urging, a way to shake you, gently. How

can I tell you I don't feel
safe, when inside
a man holds bars before his face

believing himself into a prison,
when parrots fly from his open mouth
as he tries to speak, repeating worthless,

worthless
? I'm trying to love you

but I don't know how, & then
I start to remember—we are locked together
& pushing, pushing.

—Nick Flynn

cross-posted at [livejournal.com profile] grammarfight
[identity profile] grammarfight.livejournal.com
Drone


We are made of waiting—

attendants tend the queen, nurses
nurse the grubs, we roam
the brood, sicken ourselves on honey

we did nothing to produce. Foragers
return with more, we rub against

their sexless bodies, taste
where they've been, this outside

coming in. A virgin grows in a guarded
cell, ripening on
rare jelly, we wait for her

to emerge. First she will kill

the other virgins, those
unborn, a spike

to the head, then lead us into a cloud

& fuck us in the air. Spacious
inside her, the root breaks off
to pump forever there. We

wait. The workers—
they would smother us all

if not for her.


—Nick Flynn




cross-posted at [livejournal.com profile] grammarfight
[identity profile] grammarfight.livejournal.com
Hive


What would you do inside me?
You would be utterly

lost, labyrinthine

comb, each corridor identical, a
funhouse, there, a bridge, worker

knit to worker, a span
you can't cross. On the other side

the queen, a fortune of honey.

Once we filled an entire house with it,
built the comb between floorboard

and joist, slowly at first, the constant

buzz kept the owners awake, then
louder, until honey began to seep

from the walls, swell
the doorframes. Our gift.

They had to burn the house down
to rid us.


—Nick Flynn





cross-posted from [livejournal.com profile] grammarfight
[identity profile] black-dawning.livejournal.com
Years ago, alone in her room, my mother cut
	a hole in the air

& vanished into it.  The report hung &
	deafened, followed closely by an over-

whelming silence, a ringing
	in the ears.  Today I take a piece of chalk

& sketch a door in a wall.  By the rules
	of cartoon physics only I

can open this door.  I want her
	to come with me, like in a dream of being dead,

the mansion filled with cots,
	one for everyone I’ve ever known.  This desire

can be a cage, a dream that spills
	into waking, until I wander this city

as a rose-strewn funeral.  Once
	upon a time, let’s say, my mother stepped

inside herself & no one
	could follow.  More than once

I traded on this, until it transmuted into a story,
	the transubstantiation of desire,

I’d recite it as if I’d never told anyone,
	& it felt that way,

because I’d try not to cry yet always
	would, & the listener

would always hold me.  Upstairs the water
	channels off you, back

into the earth, or to the river, through pipes
	hidden deep in these walls. I told you the story

of first learning to write my own name, chalk
	scrawl across our garage door,

so that when my mother pulled it down I’d
	appear, like a movie.
[identity profile] watercolorroses.livejournal.com
Cartoon Physics, part 1

Children under, say, ten shouldn't know
that the universe is ever-expanding,
inexorably pushing into the vacuum, galaxies

swallowed by galaxies, whole

solar systems collapsing, all of it
acted out in silence. At ten we are still learning

the rules of cartoon animation,

that if a man draws a door on a rock
only he can pass through it.

Anyone else who tries

will crash into the rock. Ten-year-olds
should stick with burning houses, car wrecks,
ships going down - earthbound, tangible

disasters, arenas

where they can be heroes. You can run
back into a burning house, sinking ships

have lifeboats, the trucks will come
with their ladders, if you jump

you will be saved. A child

places her hand on the roof of a schoolbus,
& drives across a city of sand. She knows

the exact spot it will skid, at which point
the bridge will give, who will swim to safety
& who will be pulled under by sharks. She will learn

that if a man runs off the edge of a cliff
he will not fall

until he notices his mistake.

- Nick Flynn

Some Ether

May. 11th, 2007 11:30 am
[identity profile] black-dawning.livejournal.com
I don’t know if you can read this now, you
without a body, without a hand on the wheel…

		For years physicists were searching outerspace
	for some ether electromagnetic waves

could travel through.

				It was Einstein who said,

	you can’t find it because it isn’t there…

			Your hair would be gray now.

			You led me upstairs to my great-grandmother’s bed
		her hair floating white above her skull
						as if it had already left her.

			I never knew her not to be blind.

She reached out to read my face
	your hands firm on my back.

		you can’t find it because it isn’t there

You without a body without a compass without oars
your hands are useless in this world,
				resting on my shoulders

trying to steer.


-Nick Flynn

Request

Apr. 7th, 2005 03:20 am
[identity profile] peeling-oranges.livejournal.com
I should just make a quick trip to the library, but I figured someone would have this on hand: I'm looking for Lucie Brock-Broido's poem about "Baby Jessica." I forget the title. Anyone have it within reach?

And, as a thank-you for this favor, here's one of my favorite Nick Flynn poems (I'm relatively new to the community, so I hope this isn't a repeat). Also, note that this is the longer version, which appeared in Ploughshares. Flynn's book Some Ether contains a more concise (and decidedly better) version, but I thought those familiar with the poem might like to see an earlier manifestation.

Emtying Town

I want to erase your footprints
from my walls. Each pillow
is thick with your reasons. Omens

fill the sidewalk below my window: a woman
in a party hat, clinging
to a tin-foil balloon. Shadows

creep slowly across the tar, someone yells, "Stop!"
and I close my eyes. I can't watch

as this town slowly empties, leaving me
strung between bon-voyages, like so many clothes
on a line, the white handkerchief

stuck in my throat. You know the way Jesus

rips open his shirt
to show us his heart, all flaming and thorny,
the way he points to it. I'm afraid

the way I'll miss you will be this obvious.

I have a friend who everyone warns me
is dangerous, he hides
bloody images of Jesus
around my house, for me to find

when I come home; Jesus
behind the cupboard door, Jesus tucked

into the mirror. He wants to save me
but we disagree from what. My version of hell
is someone ripping open his shirt

and saying, Look what I did for you. . .

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