[identity profile] femmedelettres.livejournal.com
All night the sound had
come back again,
and again falls
this quite, persistent rain.

What am I to myself
that must be remembered,
insisted upon
so often? Is it

that never the ease,
even the hardness,
of rain falling
will have for me

something other than this,
something not so insistent—
am I to be locked in this
final uneasiness.

Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out

of the tiredness, the fatuousness, the semi-
lust of intentional indifference.
Be wet
with a decent happiness.
[identity profile] aria-muse.livejournal.com
Helsinki Window

for Anselm Hollo
BY ROBERT CREELEY

Go out into brightened
space out there the fainter
yellowish place it
makes for eye to enter out
to greyed penumbra all the
way to thoughtful searching
sight of all beyond that
solid red both brick and seeming
metal roof or higher black
beyond the genial slope I
look at daily house top on
my own way up to heaven.

*

Same roof, light’s gone
down back of it, behind
the crying end of day, “I
need something to do,” it’s
been again those other
things, what’s out there,
sodden edge of sea’s
bay, city’s graveyard, park
deserted, flattened aspect,
leaves gone colored fall
to sidewalk, street, the end
of all these days but
still this regal light.

*

Trees stripped, rather shed
of leaves, the black solid trunks up
to fibrous mesh of smaller
branches, it is weather’s window,
weather’s particular echo, here
as if this place had been once,
now vacant, a door that had had
hinges swung in air’s peculiar
emptiness, greyed, slumped elsewhere,
asphalt blank of sidewalks, line of
linearly absolute black metal fence.

*

Old sky freshened with cloud bulk
slides over frame of window the
shadings of softened greys a light
of air up out of this dense high
structured enclosure of buildings
top or pushed up flat of bricked roof
frame I love I love the safety of
small world this door frame back
of me the panes of simple glass yet
airy up sweep of birch trees sit in
flat below all designation declaration
here as clouds move so simply away.

Read more... )
[identity profile] poemsandsorrow.livejournal.com
The love of a woman
is the possibility which
surrounds her as hair
her head, as the love of her

follows and describes
her. But what if
they die, then there is
still the aura

left, left sadly, but
hovers in the air, surely,
where this had taken place?
Then sing, of her, of whom

it will be said, he
sang of her, it was the
song he made which made her
happy, so she lived.
[identity profile] poemsandsorrow.livejournal.com


The broken snow should leave the traces
of yesterday's walks, the paths worn in,
and bring friends to our door
somewhere in the dark winter.

Sometime in April I will get at last
the flowers promised you long ago,---
to think of it
will help us through.

The night is a pleasure to us,
I think sleeping, and what warmth secures
me you bring,
giving at last freely of yourself.

Myself was old, was confused, was wanting,---
to sing of an old song,
through the last echo of hurting,
brought now home.

loooove

Jul. 22nd, 2008 10:23 pm
[identity profile] meandyouyouyou.livejournal.com
The Warning

For love – I would
split open your head and put
a candle in
behind the eyes.

Love is dead in us
if we forget
the virtues of an amulet
and quick surprise.

- Robert Creeley
[identity profile] aimlesswanderer.livejournal.com
The Language

Locate I
love you some-
where in

teeth and
eyes, bite
it but

take care not
to hurt, you
want so

much so
little. Words
say everything.

I
love you
again,

then what
is emptiness
for. To

fill, fill.
I heard words
and words full

of holes
aching. Speech
is a mouth.

       
                      -- Robert Creeley
[identity profile] binahboy.livejournal.com
You send me your poems,
I'll send you mine.

Things tend to awaken
even through random communication

Let us suddenly
proclaim spring. And jeer

at the others,
all the others.

I will send a picture too
if you will send me one of you.

~Robert Creeley
[identity profile] seamusd.livejournal.com
Robert Creeley

A Wicker Basket

Comes the time when it's later
and onto your table the headwaiter
puts the bill, and very soon after
rings out the sound of lively laughter--

Picking up change, hands like a walrus,
and a face like a barndoor's,
and a head without any apparent size,
nothing but two eyes--

So that's you, man,
or me. I make it as I can,
I pick up, I go
faster than they know--

Out the door, the street like a night,
any night, and no one in sight,
but then, well, there she is,
old friend Liz--

And she opens the door of her cadillac,
I step in back,
and we're gone.
She turns me on--

There are very huge stars, man, in the sky,
and from somewhere very far off someone hands
me a slice of apple pie,
with a gob of white, white ice cream on top of it,
and I eat it--

Slowly. And while certainly
they are laughing at me, and all around me is racket
of these cats not making it, I make it

in my wicker basket.
[identity profile] seamusd.livejournal.com
Robert Creeley

The Warning

For love--I would
split open your head and put
a candle in
behind the eyes.

Love is dead in us
if we forget
the virtues of an amulet
and quick surprise.
[identity profile] seamusd.livejournal.com
Robert Creeley

I Know a Man

As I sd to my
friend, because I am
always talking,--John, I

sd, which was not his
name, the darkness sur-
rounds us, what

can we do against
it, or else, shall we &
why not, buy a goddamn big car,

drive, he sd, for
christ's sake, look
out where yr going.
[identity profile] fly-nimue-fly.livejournal.com
I spent a night turning in bed,
my love was a feather, a flat

sleeping thing. She was
very white

and quiet, and above us on
the roof, there was another woman I

also loved, had
addressed myself to in

a fit she
returned. That

encompasses it. But now i was
lonely, I yelled,

but what is that? Ugh,
she said, beside me, she put

her hand on
my back, for which act

I think to say this
wrongly.
[identity profile] whos-on-1st.livejournal.com
All night the sound had
come back again,
and again falls
this quiet persistent rain.

What am I to myself
that must be remembered,
insisted upon
so often? Is it

that never the ease,
even the hardness,
of rain falling
will have for me

something other than this,
something not so insistent--
am I to be locked in this
final uneasiness.

Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out

of the tiredness, the fatuousness, the semi-
lust of intentional indifference.
Be wet
with a decent happiness.
[identity profile] yukosakaki.livejournal.com

I keep to myself such

measures as I care for,

daily the rocks

accumulate position.

 

There is nothing

but what thinking makes

it less tangible. The mind,

fast as it goes, loses

 

pace, puts in place of it

like rocks simple markers,

for a way only to

hopefully come back to

 

where it cannot. All

forgets. My mind sinks.

I hold in both hands such weight

it is my only description.

 

(Help! Sorry, but can someone help me understand what Creeley is saying? I love poetry, but I'm just not good with poems like this, especially the ones by Creeley. I think he's talking about a rock or some kind of burden, but that's all I'm getting heh... So if anyone has any pointers or anything to help me understand Creeley's poems better, I would be so thankful ^^. -Carol )

[identity profile] mizraim.livejournal.com
Bresson's Movies

A movie of Robert
Bresson's showed a yacht,
at evening on the Seine,
all its lights on, watched

by two young, seemingly
poor people, on a bridge adjacent,
the classic boy and girl
of the story, any one

one cares to tell. So
years pass, of course, but
I identified with the young,
embittered Frenchman,

knew his almost complacent
anguish and the distance
he felt from his girl.
Yet another film

of Bresson's has the
aging Lancelot with his
awkward armor standing
in a woods, of small trees,

dazed, bleeding, both he
and his horse are,
trying to get back to
the castle, itself of

no great size. It
moved me, that
life was after all
like that. You are

in love. You stand
in the woods, with
a horse, bleeding.
The story is true.

- Robert Creeley
[identity profile] https://users.livejournal.com/-dissonant/

A Form of Women  by Robert Creeley

I have come far enough

from where I was not before

to have seen the things

looking in at me through the open door

 

and have walked tonight

by myself

to see the moonlight

and see it as trees

 

and shapes more fearful

because I feared

what I did not know

but have wanted to know.

 

My face is my own, I thought.

But you have seen it

turn into a thousand years.

I watched you cry.

 

I could not touch you.

I wanted very much to

touch you

but could not.

 

If it is dark when this is given to you,

have care for its content

when the moon shines.

 

My face is my own.

My hands are my own.

My mouth is my own

but I am not.

 

Moon, moon,

when you leave me alone

all the darkness is

an utter blackness,

 

a pit of fear,

a stench,

hands unreasonable

never to touch.

 

But I love you.

Do you love me.

What to say

when you see me.

[identity profile] natelyswhore.livejournal.com

Four Days in Vermont

Window's tree trunk's predominant face
a single eye-leveled hole where limb's torn off
another larger contorts to swell growing in around
imploding wound beside a clutch of thin twigs
hold to one two three four five six dry twisted
yellowish brown leaves flat against the other
gray trees in back stick upright then the glimpse
of lighter still grayish sky behind the close
welted solid large trunk with clumps of gray-green
lichen seen in boxed glass squared window back
of two shaded lamps on brown chiffonier between
two beds echo in mirror on far wall of small room.

The Flower

Mar. 31st, 2005 03:44 pm
[identity profile] omarius.livejournal.com
I think I grow tensions
like flowers
in a wood where
nobody goes.

Each wound is perfect,
encloses itself in a tiny
imperceptible blossom,
making pain.

Pain is a flower like that one,
like this one,
like that one,
like this one.

-R. Creeley
[identity profile] seamusd.livejournal.com
Robert Creeley (1926 - 2005)

The Language

Locate I
love you
some-
where in

teeth and
eyes, bite
it but

take care not
to hurt, you
want so

much so
little. Words
say everything.

I
love you

again,

then what
is emptiness
for. To

fill, fill.
I heard words
and words full

of holes
aching. Speech
is a mouth.
[identity profile] ravengirl.livejournal.com
Robert Creeley (1926-2005)

Robert Creeley, one of the most exquisite and influential poets of our era, died this morning at age 78. I'd link to a story, but it's not in the news yet. This is a note from one of Robert's friends: "American poet Robert Creeley passed away this morning at 6:15 am in Odessa, Texas, where he was fulfilling a Residency at the Lannan Foundation. (Mr. Creeley was a recipient of the Lannan Foundation Lifetime Achievement Award.) His wife of twenty-eight years, Penelope, and son Will and daughter Hannah were at his side. The cause of death was complications from respiratory disease." Though a comrade and muse for Beat Generation writers like Allen Ginsberg and Jack Kerouac, Creeley was much less well-known, and had a style rather unlike theirs, distinguished by extreme economy of words and an understated approach toward emotion. Creeley was often cited as a pioneer by the so-called language poets, and his most creatively generative friendship was with another poet's poet, the late Charles Olson. Creeley's subtlety and balance will be missed.


The Conspiracy

You send me your poems,
I'll send you mine.

Things tend to awaken
even through random communication

Let us suddenly
proclaim spring. And jeer

at the others,
all the others.

I will send a picture too
if you will send me one of you.

Robert Creeley

March 2025

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