[identity profile] alwaysashipper.livejournal.com
When I was beginning to read I imagined
that bridges had something to do with birds
and with what seemed to be cages but I knew
that they were not cages it must have been autumn
with the dusty light flashing from the streetcar wires
and those orange places on fire in the pictures
and now indeed it is autumn the clear
days not far from the sea with a small wind nosing
over dry grass that yesterday was green
the empty corn standing trembling and a down
of ghost flowers veiling the ignored fields
and everywhere the colors I cannot take
my eyes from all of them red even the wide streams
red it is the season of migrants
flying at night feeling the turning earth
beneath them and I woke in the city hearing
the call notes of the plover then again and
again before I slept and here far downriver
flocking together echoing close to the shore
the longest bridges have opened their slender wings
[identity profile] elenbarathi.livejournal.com
US Poet Laureate W.S. Merwin died today: RIP.

Place

On the last day of the world
I would want to plant a tree

what for
not the fruit

the tree that bears the fruit
is not the one that was planted

I want the tree that stands
in the earth for the first time

with the sun already
going down

and the water
touching its roots

in the earth full of the dead
and the clouds passing

one by one
over its leaves

~W.S. Merwin
[identity profile] duathir.livejournal.com
The Moon

You can take the moon by the spoonful
or in capsules every two hours.
It's useful as a hypnotic and sedative
and besides it relieves
those who have had too much philosophy.
A piece of moon in your purse
works better than a rabbit's foot.
Helps you find a lover
or get rich without anyone knowing,
and it staves off doctors and clinics.
You can give it to children like candy
when they've not gone to sleep,
and a few drops of moon in the eyes of the old
helps them to die in peace.

Put a new leaf of moon
under your pillow
and you'll see what you want to.
Always carry a little bottle of air of the moon
to keep you from drowning.
Give the key to the moon
to prisoners and the disappointed.
For those who are sentenced to death
and for those who are sentenced to life
there is no better tonic than the moon
in precise and regular doses.

by Jaime Sabines
translated by W. S. Merwin
[identity profile] duathir.livejournal.com
Anniversary on the Island

The long waves glide in through the afternoon
while we watch from the island
from the cool shadow under the trees where the long ridge
a fold in the skirt of the mountain
runs down to the end of the headland

day after day we wake to the island
the light rises through the drops on the leaves
and we remember like birds where we are
night after night we touch the dark island
that once we set out for

and lie still at last with the island in our arms
hearing the leaves and the breathing shore
there are no years any more
only the one mountain
and on all sides the sea that brought us

by W.S. Merwin
[identity profile] alwaysashipper.livejournal.com
Even when I forget you
I go on looking for you
I believe I would know you
I keep remembering you
sometimes long ago but then
other times I am sure you
were here for a moment before
and the air is still alive
around where you were and I
think then I can recognize
you who are always the same
who pretend to be time but
you are not time and who speak
in the words but you are not
what they say you who are not
lost when I do not find you
[identity profile] iatrogenicmyth.livejournal.com
All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning

source
[identity profile] duathir.livejournal.com
Listen

with the night falling we are saying thank you
we are stopping on the bridge to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water looking out
in different directions

back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
in a culture up to its chin in shame
living in the stench it has chosen we are saying thank you

over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the back door
and the beatings on stairs we are saying thank you
in the banks that use us we are saying thank you
with the crooks in office with the rich and fashionable
unchanged we go on saying thank you thank you

with the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us like the earth
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is"

by W.S. Merwin
[identity profile] mandity.livejournal.com
I will tell you what he told me
in the years just after the war
as we then called
the second world war

don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity

just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice

he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally

it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop

he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England

as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry

he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't

you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write
[identity profile] alwaysashipper.livejournal.com
After twelve years and a death
returning in August to see the end of summer
French skies and stacked roofs the same grays
silent train sliding south through the veiled morning
once more the stuccoed walls the sore
pavilions of the suburbs glimpses
of rivers known from other summers leaves
still green with chestnuts forming for their
only fall out of old dark branches and again
the nude hills come back and the sleepless
night travels along through the day as it
once did over and over for this was the way
almost home almost certain that it was
there almost believing that it could be
everything in spite of everything
[identity profile] pyreneeees.livejournal.com
Yesterday
W. S. Merwin

My friend says I was not a good son
you understand
I say yes I understand

he says I did not go
to see my parents very often you know
and I say yes I know

even when I was living in the same city he says
maybe I would go there once
a month or maybe even less
Read more... )
[identity profile] creamcolor.livejournal.com
Comet of stillness princess of what is over
high note held without trembling without voice without sound
aura of complete darkness keeper of the kept secrets
of the destroyed stories the escaped dreams the sentences
never caught in words warden of where the river went
touch of its surface sibyl of the extinguished
window onto the hidden place and the other time
at the foot of the wall by the road patient without waiting
in the full moonlight of autumn at the hour when I was born
you no longer go out like a flame at the sight of me
you are still warmer than the moonlight gleaming on you
even now you are unharmed even now perfect
as you always have always been now when your light paws are running
on the breathless night on the bridge with one end I remember
you
when I have heard you the soles of my feet have made answer
when I have seen you I have waked and slipped from the
calendars
from the creeds of difference and the contradictions
that were my life and all the crumbling fabrications
as long as it lasted until something that we were
had ended when you are no longer anything
let me catch sight of you again going over the wall
and before the garden is extinct and the woods are figures
guttering on a screen let my words find their own
places in the silence after the animals

Vixen by W. S. Merwin

March 2025

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